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A New York Times Notable BookRereading her childhood diaries, Heidi Julavits hoped to find incontrovertible proof that she was always destined to be a writer. Instead, they "revealed me to possess the mind of a phobic tax auditor." Thus was born a desire to try again, to chronicle her daily life-now as a forty-something woman, wife, mother, and writer. A meditation on time and self, youth and aging, friendship and romance, faith and fate, and art and ambition, in The Folded Clock one of the most gifted prose stylists in American letters explodes the typically confessional diary form with her trademark humor, honesty, and searing intelligence.
Alice og Edith er søstre, bestevenner og erkefiender. Begge er eksperter på å manipulere, og når flyet de reiser med blir kapret av en blind terrorist, får de testet manipulasjonsevnene sine. Alice blir valgt til å kommunisere med forhandleren, og når hun etter hvert blir mer og mer tiltrukket av ham, blir det vanskelig å skille mellom venner og fiender. Mens hun er fanget på flyet, lærer Alice viktige ting om søskenrivalisering, kjærlighet og om hvem hun er.
A sharply observed memoir of motherhood and the self, and a love letter to Maine, by a writer Eula Biss calls “witty, sly, critical, inventive” and whose mind Leslie Jamison calls “electric.”“An absolute stunner: frank, funny, self-aware, constantly surprising.”—George SaundersThat night, in his bed, I spread my son’s palm wide and tried to read it. If the hand was a map that led to a future person, was there any changing the destination? One day Heidi Julavits sees her son silhouetted by the sun and notices he is at the threshold of what she calls “the end times of childhood.” When did this happen, she asks herself. Who is my son becoming—and what qualifies me to be his guide?What follows starts to feel like uncharted waters. Rape allegations rock the university campus where she teaches, unleashing questions of justice and accountability. Julavits begins to wonder how to prepare her son to be the best possible citizen of the world he’s about to enter. And what must she learn about herself in order to responsibly steer him.Looking back to her own childhood in Maine, where she often navigated the coastline in a small boat relying on a decades-old sailing guide, Julavits takes us on an intellectual navigation of the self. Throughout, she intertwines her internal investigation with a wide-ranging exploration of what it means to raise a child in a time full of contradictions and moral complexity. Using the past and present as points of orientation, Directions to Myself examines the messy minutiae of contemporary family life alongside knottier philosophical questions of politics and gender. Through it all, Julavits discovers the beauty and the danger of telling stories as a way to locate ourselves, and help others find us. Intimate, rigorous, and refreshingly unsentimental about motherhood and parenting, Directions to Myself is a love letter to Maine and a reckoning with the disappearance of childhood—her children’s and her own—that cements Julavits’ reputation as one of the most engaged and innovative nonfiction writers today whose work has been called “fascinating” (The Washington Post), “scathingly funny” (Los Angeles Times), and “exquisite” (The New York Times).
From acclaimed novelist and editor of The Believer Heidi Julavits, comes a wildly imaginative novel about grief, female rivalry, and the furious power of a daughter’s love. Julia Severn is a talented student at an elite institute for psychics. When Julia’s mentor, the legendary Madame Ackerman, grows jealous of her protégée’s talents, she subjects Julia to the painful humiliation of reliving her mother’s suicide . . . and then launches a desperate psychic attack. But Julia’s gifts, though a threat to her teacher, prove an asset to others. Soon she’s recruited to track down a missing person who might have a connection to her mother. As Julia sifts through ghosts and astral clues, everything she thought she knew about her mother is called into question, and she discovers that her ability to know the minds of others—including her own—goes far deeper than she ever imagined.
One Autumn day in 1985, sixteen-year-old Mary Veal vanishes from her Massachusetts prep school. A few weeks later she reappears unharmed and with little memory of what happened to her--or at least little that she is willing to share. Was Mary abducted, or did she fake her disappearance? This question haunts Mary''s family, her psychologist, even Mary herself. Weaving together three narratives, The Uses of Enchantment conjures a spell in which the hallucinatory power of a young woman’s sexuality, and her desire to wield it, has devastating consequences for all involved.
'An absolute stunner: frank, funny, self-aware, constantly surprising ... One of the most insightful representations I've read of what it feels like to be alive these days' GEORGE SAUNDERS________________________One day Heidi Julavits sees her son silhouetted by the sun and notices he is at the threshold of what she calls "the end times of childhood." When did this happen, she asks herself. Who is my son becoming-and what qualifies me to be his guide?What follows starts to feel like uncharted waters. Rape allegations rock the university campus where she teaches, unleashing questions of justice and accountability. Julavits begins to wonder how to prepare her son to be the best possible citizen of the world he's about to enter. And what must she learn about herself in order to responsibly steer him.Looking back to her own childhood in Maine, where she often navigated the coastline in a small boat relying on a decades-old sailing guide, Julavits takes us on an intellectual navigation of the self. Throughout, she intertwines her internal investigation with a wide-ranging exploration of what it means to raise a child in a time full of contradictions and moral complexity. Using the past and present as points of orientation, Directions to Myself examines the messy minutiae of contemporary family life alongside knottier philosophical questions of politics and gender. Through it all, Julavits discovers the beauty and the danger of telling stories as a way to locate ourselves, and help others find us.Intimate, rigorous, and refreshingly unsentimental about motherhood and parenting, Directions to Myself is a love letter to Maine and a reckoning with the disappearance of childhood-her children's and her own-that cements Julavits' reputation as one of the most engaged and innovative nonfiction writers today whose work has been called "fascinating" (Washington Post), "scathingly funny" (Los Angeles Times), and "exquisite" (New York Times).
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