Bøger af Honore de Balzac

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Honoré de Balzac, né Honoré Balzac à Tours le 20 mai 1799 (1er prairial an VII du calendrier républicain), et mort à Paris le 18 août 1850 (à 51 ans), est un écrivain français. Romancier, dramaturge, critique littéraire, critique d'art, essayiste, journaliste et imprimeur, il a laissé l'une des plus imposantes oeuvres romanesques de la littérature française, avec plus de quatre-vingt-dix romans et nouvelles parus de 1829 à 1855, réunis sous le titre La Comédie humaine. À cela s'ajoutent Les Cent Contes drolatiques, ainsi que des romans de jeunesse publiés sous des pseudonymes et quelque vingt-cinq oeuvres ébauchées.

Après son mariage, Jeanne a un fils que le comte bannit du château, persuadé qu'il n'est pas de lui. Étienne, cet enfant maudit, grandit chez des pêcheurs.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Les Chouans: Une Passion Dans Le Désert; Oevres Complètes Honoré de Balzac Calmann Lévy, 1898 History; Europe; France; Brittany (France); France; History / Europe / France; Literary Criticism / European / French

This is a new release of the original 1927 edition.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Scènes De La Vie Privée: 2e Série Honoré de Balzac Charpentier, 1839 Literary Criticism; European; French; Fiction / Literary; Literary Criticism / European / French

In the sitting-room La Cibot explained her position with regard to the pair of nutcrackers at very considerable length. She repeated the history of her loan with added embellishments, and gave a full account of the immense services rendered during the past ten years to MM. Pons and Schmucke.

The Jealousies of a Country Town is a novel written by Honore de Balzac, a French novelist and playwright. The story is set in a small town in France and revolves around the lives of its inhabitants. The novel explores the themes of jealousy, love, betrayal, and social status.The plot follows the lives of two families, the Moreaus and the Gaudrons. The Moreaus are a wealthy family who have recently moved to the town, while the Gaudrons are a poor family who have lived there for generations. The two families become intertwined when the Moreau's daughter, Caroline, falls in love with Philippe Gaudron, the son of the Gaudron family.Caroline's father disapproves of the relationship and does everything in his power to break them apart. Meanwhile, other members of the town become jealous of the Moreau's wealth and status, leading to a series of betrayals and conflicts.The novel delves into the intricacies of small-town life and the complex relationships that exist within it. Balzac's writing style is known for its attention to detail and vivid descriptions, which bring the characters and setting to life.Overall, The Jealousies of a Country Town is a classic novel that explores universal themes that are still relevant today. It is a must-read for fans of French literature and those interested in the complexities of human relationships.These absurd practices were beginning to shed a monastic tint over the face of Rose Cormon, who now saw with something like despair her white skin assuming the yellow tones which proclaim maturity. A slight down on her upper lip, about the corners, began to spread and darken like a trail of smoke; her temples grew shiny; decadence was beginning! It was authentic in Alencon that Mademoiselle Cormon suffered from rush of blood to the head. She confided her ills to the Chevalier de Valois, enumerating her foot-baths, and consulting him as to refrigerants.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Les Français Peints Par Eux-mêmes; Les Français Peints Par Eux-mêmes; Paul Gavarni; Volume 2 Of Les Français Peints Par Eux-mêmes: Encyclopédie Morale Du Dix-neuvième Siècle Honoré de Balzac, Emile Gigault De La Bédollière, Paul Gavarni, Jean-Louis-Ernest Meissonier Lécrivain et Toubon, 1860 History; Europe; France; Art / Fashion; History / Europe / France; Travel / Europe / France

At a dimly remote period in the history of Brabant, communication between the Island of Cadzand and the Flemish coast was kept up by a boat which carried passengers from one shore to the other. Middelburg, the chief town in the island, destined to become so famous in the annals of Protestantism, at that time only numbered some two or three hundred hearths; and the prosperous town of Ostend was an obscure haven, a straggling village where pirates dwelt in security among the fishermen and the few poor merchants who lived in the place.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La ComEdie Humaine Of HonorE De Balzac: The Two Brothers; Volume 11 Of La ComEdie Humaine Of HonorE De Balzac; HonorE De Balzac HonorE de Balzac Katharine Prescott Wormeley Hardy, Pratt, 1904

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Comédie Humaine Of Honoré De Balzac: Pierrette. The Vicar Of Tours; Volume 14 Of La Comédie Humaine Of Honoré De Balzac; Honoré De Balzac Honoré de Balzac Katharine Prescott Wormeley Hardy, Pratt, 1904

On looking down at her kid shoes, made, it was evident, by the veriest cobbler, a stranger would have hesitated to recognize Cousin Betty as a member of the family, for she looked exactly like a journeywoman sempstress. But she did not leave the room without bestowing a little friendly nod on Monsieur Crevel, to which that gentleman responded by a look of mutual understanding.

Mme. Giraud (leading Giraud up to Pamela) Did you hear that? Well! Listen to me. She is in love with this youth. It is quite certain that he also is in love with her. If she should make a sacrifice like that, as a return, he ought to marry her.

Dans Sarrasine, La riche famille Lanty organise une fête afin de faire étalage de ses richesses. Le narrateur oppose le côté tumultueux, clinquant et étincelant de la fête à l'hiver, avec ses arbres nus recouverts de neige... Dans Gambara, Le comte Andrea Marcosini, noble milanais, flâne au Palais-Royal lorsqu'il découvre dans la foule le visage extraordinaire d'une femme aux yeux de feu. Celle-ci s'enfuit pour lui échapper, mais il la poursuit jusque dans la sordide ruelle où elle disparaît, derrière le Palais-Royal... Enfin, dans Massimilla Doni, Emilio Memmi, récemment fait prince de Varèse, et héritier d'un palais, est désespérément amoureux de la délicieuse Massimila Doni, femme du duc de Caetano, vieillard débauché qui soutient une cantatrice: Clara Tinti...

The Histoire des Treize consists-or rather is built up-of three stories: Ferragus or the Rue Soly, La Duchesse de Langeais or Ne touchez-paz a la hache, and La Fille aux Yeux d'Or. To tell the truth, there is more power than taste throughout the Histoire des Treize, and perhaps not very much less unreality than power. Balzac is very much better than Eugene Sue, though Eugene Sue also is better than it is the fashion to think him just now. But he is here, to a certain extent competing with Sue on the latter's own ground. The notion of the "Devorants"-of a secret society of men devoted to each other's interests, entirely free from any moral or legal scruple, possessed of considerable means in wealth, ability, and position, all working together, by fair means or foul, for good ends or bad-is, no doubt, rather seducing to the imagination at all times; and it so happened that it was particularly seducing to the imagination of that time. And its example has been powerful since; it gave us Mr. Stevenson's New Arabian Nights only, as it were, the other day.

La nouvelle, écrite à la première personne, commence par évoquer la capacité d'observation du narrateur. Il décrit cette faculté comme "une seconde vue" qui lui permet de s'identifier aux individus qu'il croise.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Lucien had gone to Paris; and David Sechard, with the courage and intelligence of the ox which painters give the Evangelist for accompanying symbol, set himself to make the large fortune for which he had wished that evening down by the Charente, when he sat with Eve by the weir, and she gave him her hand and her heart. He wanted to make the money quickly, and less for himself than for Eve's sake and Lucien's. He would place his wife amid the elegant and comfortable surroundings that were hers by right, and his strong arm should sustain her brother's ambitions-this was the programme that he saw before his eyes in letters of fire.

"The Muse of the Department" from Honore De Balzac. French novelist and playwright (1799-1850).

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Temple Edition Of The Comédie Humaine, Volume 37; The Temple Edition Of The Comédie Humaine; Honoré De Balzac Honoré de Balzac, Ellen Marriage, Clara Bell, R. S. Scott, James Waring George Saintsbury

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Honore De Balzac, Volume 38; Honore De Balzac; Ellery Sedgwick Honore de Balzac George Burnham Ives, William Walton, Mary Webb Artois, Peter P. Breen, J. Alfred Burgan, Gertrude Christian Fosdick, Francis Thomas Furey, George John Murdoch, E. P. Robbins, Ellery Sedgwick, Jane Minot Sedgwick, May Tomlinson, Thomas H. Walls Printed only for subscribers by G. Barrie & Son, 1899

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La ComEdie Humaine: Scenes Of Private Life; Volume 22 Of La ComEdie Humaine; HonorE De Balzac HonorE de Balzac George Barrie & Son, 1897