Bøger af Hugo Charteris

It is 1960. Philip Ayrton, the Warden of Edgecliffe Detention Centre, a facility in Derbyshire for youth offenders, is inching slowly along in a quiet life. The small community which surrounds the centre, and his staff inside it, are his world. His wife Ella is a little dissatisfied, but puts on a brave face; his daughter Christine has escaped to Birmingham to study music; and his young son John is seeming more sullen and distant by the minute.The latest set of receptions at the centre includes Goole, charged with grievous bodily harm. Philip is struck by Goole's elusive and self-contained quality, but sees him as young enough to be a candidate for a one-time stay and full rehabilitation. This progressive stance is informed by Philip's background - before a lapse of belief, he had hoped to become a monk - but it is viewed with skepticism by many of his staff. Since faith deserted Philip, he has followed a more traditional path, becoming an archetypal 'grey man' - a middle manager in a quietist world. But into this suppressed sphere erupts a disturbing presence - the new 'landgirl' at the centre's farm, Minty Bates. Young, and beautiful in a painted way, she seems an emissary from the uncontrollable outside world. She has an indefinable quality which fascinates Philip, composed of defiance, vulnerability and manipulation. As their teasing connection gains in seriousness, Philip feels his compass slipping, and unruly flights of obsession and passion intrude into his discipline. But is everything as it seems? Why is Minty so sad, and yet so flippant - so emotionally out of reach? Is it him? What has it to do with Goole? Philip finds himself lost in a tangle which feels way above his head, struggling to maintain his self-control in a hall of mirrors, lurching to disaster.In Pictures on the Wall, Hugo Charteris navigates impressively the interior world of a man who is an avatar of his generation, simultaneously deep-thinking and barely self-aware. The portrait in this deceptively low-key novel of the silent roar in a grey man's head, when he is suddenly surrounded with looking-glass images which confuse and inspire him almost to the point of madness, caused Francis Hope to declare in the Observer that Charteris was 'the nearest thing this country has produced to an existential novelist'.Renowned novelist and critic David Lodge, who reviewed Pictures on the Wall when it was first published in 1963, has re-examined this brilliant novel in a new introduction written specially for this edition.

Selected by Evelyn Waugh in the Sunday Times as the best first novel of 1953, and phenomenally praised by critics on its first publication, Hugo Charteris' A Share of the World is one of the great lost novels. This is the first republication in a concerted programme of bringing all of Charteris' works back into print. This harrowing story of a man lost in his times, bewildered and anguished by both war and love, is a masterful portrayal of the human psyche at odds with itself. John Grant has a short war. In a matter of three or four days his career as an officer in active service is over, after a disastrous sortie in the Italian campaign in which one of his men is let down terribly. Back home, reeling with dislocation and yearning, John seeks solace, absolution, a future, and most importantly, love. His troubled mind is taken up with the fascinating and elusive Jane Matlock, whose evasions and temptations lead him into what seems like a new assault-course, a strikingly different form of combat. Although John's story is astonishingly powerful and deeply moving, this extraordinary book has one more ace up its sleeve: Hugo Charteris' intense, atmospheric, drily witty and emotionally searching style. In it there are ingredients which make for one of the great experiences of post-war British literature. A Share of the World burst onto the 1950s literary scene like a truth-incendiary. The author's daughter, Jane Charteris, looks back at this brilliant book, and provides a unique personal insight into its author, in an introduction written specially for this edition.

This remarkable novel, suppressed in 1957 and published by Dalkey Archive for the first time, is concerned with a day in the life of a stagnant, aristocratic Scottish family in the 1950s. As the family prepares for its annual Christmas dance, old rivalries and tensions flare as John Harling arrives to visit his sister Mary, who has married Duncan Mackean, next in line to inherit the estate left by Colin Mackean, dead two years now, but very much alive in the memory of the current family, presided over by Alan Mackean and his wife Augustine (Tin). By the end of this nerve-racking day, John tells his sister that this life, which you lead here, is incestuous and that her husband Duncan is in love with things he should have left -- long ago. Soil, place, family, the past -- roots...One must have courage to travel light today. That night, Duncan and Alan go out shooting; only one returns alive.