Bøger af Hugo Riemann

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Ein umfassendes Handbuch der Musikgeschichte, das vom Druck und Verlag von Breitkopf and Hartel herausgegeben wird und von Hugo Riemann verfasst wurde. Dieses Werk bietet eine tiefgehende Analyse der musikalischen Entwicklung von der Antike bis zur Moderne und ist eine unverzichtbare Quelle für jeden, der mehr über die Geschichte der Musik erfahren möchte.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Das Standardwerk zur Musikgeschichte von Hugo Riemann behandelt die Entwicklung der Musik von den Anfängen bis ins 19. Jahrhundert. Es ist ein unverzichtbares Nachschlagewerk für alle, die sich für die Geschichte der Musik interessieren.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In diesem Werk beschäftigt sich der Autor mit der Musikgeschichte des 19. Jahrhunderts, insbesondere mit der Entwicklung der europäischen Kunstmusik seit Ludwig van Beethoven. Dabei geht er auf bedeutende Komponisten und ihre Werke ein.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Diese brillante Abhandlung über die Geschichte der Musik seit Beethoven bietet einen einzigartigen Blick auf die künstlerischen und historischen Entwicklungen der Epoche. Die Lektüre dieses Buches wird garantiert alle Musikliebhaber und -historiker begeistern.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Dieses Buch ist ein umfassendes Handbuch der Musiktheorie. Es behandelt Themen wie Tonsysteme, Harmonielehre, Kontrapunkt und Formenlehre und bietet eine solide Grundlage für das Verständnis der westlichen Musiktradition. Der Autor Hugo Riemann war einer der bedeutendsten Musiktheoretiker des 19. Jahrhunderts und sein Buch gilt als ein Klassiker des Fachs. Es ist eine unverzichtbare Referenzquelle für alle, die sich für die Theorie der Musik interessieren.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Das Buch ""Systematische Modulationslehre als Grundlage der Musikalischen Formenlehre"" wurde im Jahr 1887 von Hugo Riemann ver������ffentlicht. Es handelt sich um ein Werk, das sich mit der Musiktheorie und insbesondere mit der Modulation in der Musik besch�����ftigt. Riemann beschreibt darin die verschiedenen Techniken und Methoden, die Musiker verwenden k������nnen, um zwischen verschiedenen Tonarten zu wechseln und so musikalische Spannung und Abwechslung zu erzeugen. Dabei geht er auch auf die historische Entwicklung der Modulation in der Musik ein und zeigt auf, wie sie sich im Laufe der Zeit ver�����ndert hat. Das Buch gilt als ein Standardwerk der Musiktheorie und ist bis heute von gro�����er Bedeutung f�����r Musiker und Musikwissenschaftler.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Der ""Katechismus der Akustik: Musikwissenschaft"" von Hugo Riemann, ver������ffentlicht im Jahr 1891, ist ein Lehrbuch, das sich mit der Physik der Musik und der Musikwissenschaft befasst. Das Buch enth�����lt eine umfassende Einf�����hrung in die Akustik, die sich auf die Eigenschaften von Schallwellen und deren Auswirkungen auf die menschliche Wahrnehmung von Klang konzentriert. Riemann erkl�����rt auch die mathematischen Grundlagen der Musiktheorie und gibt einen �����berblick �����ber die Geschichte der westlichen Musik. Das Buch ist f�����r Studenten und Musikliebhaber gleicherma�����en geeignet und bietet eine solide Grundlage f�����r das Verst�����ndnis der physikalischen und theoretischen Aspekte der Musik.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

""Verloren gegangene Selbstverst�����ndlichkeiten in der Musik des 15.-16. Jahrhunderts"" ist ein Buch von Hugo Riemann, das im Jahr 1907 ver������ffentlicht wurde. Das Buch besch�����ftigt sich mit der Musik des 15. und 16. Jahrhunderts und untersucht, welche musikalischen Aspekte in dieser Zeit als selbstverst�����ndlich angesehen wurden, aber im Laufe der Zeit verloren gegangen sind. Riemann analysiert die Musik dieser Zeit und zeigt auf, welche Elemente heute oft �����bersehen werden, aber f�����r das Verst�����ndnis der Musik dieser Zeit von gro�����er Bedeutung sind. Das Buch richtet sich an Musikwissenschaftler und Musikliebhaber, die sich f�����r die Musik des 15. und 16. Jahrhunderts interessieren und mehr �����ber die musikalischen Selbstverst�����ndlichkeiten dieser Zeit erfahren m������chten.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""Geschichte der Musiktheorie: im IX-XIX Jahrhundert"" ist ein Buch von Hugo Riemann, das im Jahr 1898 ver������ffentlicht wurde. Es ist eine umfassende und detaillierte Geschichte der Entwicklung der Musiktheorie von der karolingischen Zeit bis zur Mitte des 19. Jahrhunderts. Das Buch beschreibt die wichtigsten musikalischen Konzepte und Techniken, die in dieser Zeit entwickelt wurden, einschlie�����lich der Entwicklung der Notenschrift, der Harmonielehre und der Kontrapunktik. Riemann untersucht auch die Beitr�����ge von prominenten Musiktheoretikern wie Guido von Arezzo, Johann Sebastian Bach und Ludwig van Beethoven. Das Buch ist ein wichtiger Beitrag zur Musiktheoriegeschichte und wird von Musikwissenschaftlern und -historikern weltweit als wichtige Referenzquelle genutzt.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""�����ber das musikalische H������ren"" ist ein Buch des deutschen Musiktheoretikers Hugo Riemann, das erstmals im Jahr 1874 ver������ffentlicht wurde. In diesem Werk besch�����ftigt sich Riemann mit der Frage, wie wir Musik h������ren und welche Prozesse dabei im Gehirn ablaufen. Er untersucht dabei nicht nur die physiologischen Aspekte des H������rens, sondern auch die kulturellen und psychologischen Einfl�����sse auf unser musikalisches Empfinden. Riemann geht dabei auf Themen wie Tonh������he, Rhythmus, Harmonie und Melodie ein und erkl�����rt, wie sie von uns wahrgenommen werden. Er beschreibt auch die verschiedenen Arten von H������rern und ihre unterschiedlichen Vorlieben und F�����higkeiten. Das Buch ist ein wichtiger Beitrag zur Musikpsychologie und hat bis heute Einfluss auf die Forschung in diesem Bereich. Es ist ein unverzichtbares Werk f�����r alle, die sich f�����r Musiktheorie und -wissenschaft interessieren.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Das Buch ""Musikalische Dynamik und Agogik: Lehrbuch der musikalischen Phrasierung"" von Hugo Riemann wurde im Jahr 1884 ver������ffentlicht. Es handelt sich um ein Lehrbuch, das sich mit der musikalischen Dynamik und Agogik besch�����ftigt und eine Anleitung zur musikalischen Phrasierung bietet. Riemann, ein bekannter deutscher Musiktheoretiker und Komponist, beschreibt darin die verschiedenen Aspekte der Dynamik und Agogik in der Musik, wie Tempo, Rhythmus, Betonung und Artikulation. Au�����erdem erl�����utert er die Bedeutung der Phrasierung in der Interpretation von Musikst�����cken und gibt praktische Tipps zur Umsetzung. Das Buch ist ein wichtiger Beitrag zur Musiktheorie und richtet sich an Musikstudenten, Musiker und Musikliebhaber, die ihr Verst�����ndnis und ihre F�����higkeiten in Bezug auf die musikalische Interpretation verbessern m������chten.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Katechismus Der Musikgeschichte, Volumes 1-2; Katechismus Der Musikgeschichte; Hugo Riemann Hugo Riemann M. Hesse, 1889 Music

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Verloren Gegangene SelbstverstAndlichkeiten In Der Musik Des 15.-16. Jahrhunderts: Die Musica Ficta; Eine Ehrenrettung; Issue 17 Of Musikalisches Magazin Hugo Riemann H. Beyer & SOhne, 1907 Musica ficta

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.