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This book provides a new conceptual and methodological framework the social scientific study of Mishnah, as well as a series of case studies that apply social science perspectives to the analysis of Mishnah's evidence.
This work explores the relationship between religion, social patterns, and the perception of the character of scripture in four modes of Ancient Judaism: (1) the Jerusalem community of the fifth to fourth centuries B.C.E. (ie, the Early Second Temple Period); (2) the Judaism of the Graeco-Roman Disapora down to the end of the fourth century of the Christian Era; (3) earliest rabbinic Judaism in the second century C.E> in the land of Israel; (4) Late Antique Talmudic Rabbinism, primarily inn Babylonia, down to the sixth century of the Christian Era. Lightstone attempts not only to describe these perceptions and relationships but also to account for them, to explore why scripture should be thus perceived. His imaginative approach to the challenging descriptive and theoretical tasks is influenced by literary and form-critical methods as well as by the methods and perspectives of social anthropology and sociology of the mind.</p> This unique attempts at revising the perception of the character of scripture should arouse the interest of scholars and students of Ancient Judaism. </p>
In order to shed light on the early social formation of the rabbinic guild of masters, Lightstone brings the theoretical and methodological insights of socio-rhetorical analysis to examine Mishnah, the first document authored by the early rabbinic movement and its principal object of study for several centuries.
In this innovative and comprehensive collection of essays Jack Lightstone and Frederick Bird document and interpret ritual practice among contemporary Canadian Jews. They particularly focus on the character and meaning of the public performance of the Sabbath liturgy in six urban Canadian synagogues.
Examines the character, use and social meaning of the formalised rhetoric which pervades the "Babylonian Talmud". This title explores how the editors of the "Talmud" employ a consistent and highly laconic code of formalised linguistic terms and literary patterns to create the "Talmud's" renowned dialectical, analytic 'essays'.
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