Bøger af Jacob Wren

What are the best ways to support political struggles that aren't your own? What are the fundamental principles of a utopia during war? Can we transcend the societal values we inherit? Dry Your Tears to Perfect Your Aim is a remarkably original, literary page turner that explores such pressing questions of our time.A depressed writer visits a war zone. He knows it's a bad idea, but his curiosity, and obsession that his tax dollars help to pay for foreign wars, draw him there. Amidst the fighting, he stumbles into a small strip of land that's being reimagined as a grassroots, feminist, egalitarian utopia. As he learns about the principles of the collective, he moves between a fragile sense of self and the ethical considerations of writing about what he experiences but cannot truly fathom. Meanwhile, women in his life--from this reimagined society and elsewhere--underscore truths hidden in plain sight. In these pages, real world politics mingle with profoundly inventive fabulations. This is an anti-war novel unlike any other; an intricate study of our complicity in violent global systems and a celebration of the hope that underpins the resistance against them.

Authenticity is a Feeling: My Life in PME-ART is a compelling hybrid of history, memoir, and performance theory. It tells the story of the interdisciplinary performance group PME-ART and their ongoing endeavour to make a new kind of highly collaborative theatre dedicated to the fragile but essential act of "e;being yourself in a performance situation."e;Written, among other things, to celebrate PME-ART's twentieth anniversary, the book begins when Jacob Wren meets Sylvie Lachance and Richard Ducharme, moves from Toronto to Montreal to make just one project, but instead ends up spending the next twenty years creating an eccentric, often bilingual, art. It is a book about being unable to learn French yet nonetheless remaining Co-Artistic Director of a French-speaking performance group, about the Spinal Tap-like adventures of being continuously on tour, about the rewards and difficulties of intensive collaborations, about making performances that break the mold and confronting the repercussions of doing so. A book that aims to change the rules for how interdisciplinary performance can be written about today.When Jacob finished a first draft of the book he sent it to many of those who had co-created or worked on PME-ART projects asking for their comments. Therefore, the book also features contributions from: Caroline Dubois, Richard Ducharme, Claudia Fancello, Marie Claire Forte, Adam Kinner, Sylvie Lachance, Nadia Ross, Yves Sheriff, Kathrin Tiedemann and Ashlea Watkin.

The Artist Formerly Known As Death Waits christens his new public persona with the release of 'a series of theatrical proposals to be repeated, discarded, performed simultaneously and/or recombined in any and all possible combinations -- all vaguely relating to the topic of the author's moral ambivalence.'