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By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.
Presents an ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. This book addresses important methodological shifts in ethnomusicology that outline a humanistic perspective of music cultures. It includes a DVD documentary.
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