Bøger af James Gurney

A researched study on art's most fundamental themes, Colour and Light bridges the gap between abstract theory and practical knowledge.

Aguide to realistically representing the world of imagination, for beginners and professionals and everyone in between.

Professor Denison and Bix, his dinosaur companion, are ready to set off on a perilous journey to the forbidden empire of Chandara. Brimming with magnificent full-color illustrations, this lavish hardcover edition will enchant readers of all ages.

Gurney takes us back to Dinotopia's ancient past, where the empire of Poseidos is about to capture the peaceful dinosaurs by using robotic technology. This expanded anniversary edition features a wealth of all-new material by the author.

A bold new edition of the groundbreaking book by two of America's most prominent visual artists, James Gurney (Dinotopia, Color and Light), and Thomas Kinkade, freshly updated with a new introduction, archival photographs, and illuminating text to guide a new generation of illustrators. Since its release in 1982, The Artist's Guide to Sketching has become a classic art guide for students and laypeople around the world. The book includes instruction and artwork by James Gurney and Thomas Kinkade--two students who would go on to fame with Dinotopia (Gurney) and as the "Painter of Light" (Kinkade). This new edition restores the classic text with updated visuals and a special section chronicling the book's origins and the friendship, drawing on archives from Gurney and the Kinkade family estate. Chapters and topics include: Chapter 1: THE EXPERIENCE OF SKETCHING (Coping with the Weather, Sketching at Night, Sitting or Standing?, Dealing with Curious Spectators, Being Inconspicuous, At Home Amid the ElementsChapter 2: MATERIALS (Sketchbooks, Pencils, Pens, Markers, Wash and Drybrush, Sketchboxes and Carrying Cases, Experiencing Your Materials)Chapter 3: ACHIEVING ACCURACY: (When to Use an Underdrawing, How Much Underdrawing is Necessary, Establishing the Large Shapes, Measuring Lengths, Measuring Slopes, Using Perspective Guidelines, Constructing with Geometric Forms, Completed Underdrawing, The Final Execution)Chapter 4: CAPTURING MOTION (Freezing Motion: A New Way of Drawing, Learning to Observe Motion, Training Your Memory, Getting It Down Fast, The Scribble Approach, The Gestural Approach, The Mannikin Approach, The Tonal Mass Approach, When Your Subject Moves Unexpectedly, Places to Go for Motion Sketching)Chapter 5: CREATING MOOD (Choosing a Subject, Noting Impressions, Composing with Thumbnails, Selectivity, Center of Interest, Dramatic Opposition, Delicacy, Mystery, Structure and Expression)Chapter 6: USING IMAGINATION (Dare to be Creative, Being Imaginative On-the-Spot, Exaggeration, Changing Context and Scale, Using Anthropomorphism, Additions and Combinations, Feeding the Imagination, Becoming More Imaginative)Chapter 7: STUDYING NATURE (Nature: Your Personal Drawing Workshop, The Experience of Nature Sketching, Plants, Animals, Sketching at the Zoo, Natural History Museum, Clouds, Rocks and Landforms, The Benefits of Studying Nature)Chapter 8: SKETCHING PEOPLE (Finding Raw Material, Exaggerating Character Traits, The Cartoon Approach, Portraying People in Their Environment, Two Characters, Group Composition, The On-The-Spot Portrait, Making People Sketches Come Alive, Family and Friends: Your Free Models)Chapter 9: EXPLORING THE MAN-MADE WORLD (Begin with the Commonplace, Sketching the Home, Indicating Building Exteriors, Signs and Letterforms, A New Look at Machines, Using Clutter, On-The-Spot Spot Research, Using Written Notes, Thinking As a Documentary Artist, The Joy of Exploration)Chapter 10: SKETCHING IN YOUR LIFE (Keeping Specialized Sketchbooks, Developing Sketches into Paintings, Sharing Sketches With Others, Sketching Alone or With Others)

The summer of 2020 has shown us how much we all depend on one another. Whatever else they do, pandemics show us we are not alone. Covid-19 is proof that, yes, there is such a thing as society; the disease has spread precisely because we aren¿t autonomous individuals disconnected from each other, but rather all belong to one great body of humanity. The pain inflicted by the pandemic is far from equally distributed. Yet it reveals ever more clearly how much we all depend on one another, and how urgently necessary it is for us to bear one another¿s burdens.It¿s a good time, then, to talk about solidarity. The more so because it¿s a theme that¿s also raised by this year¿s other major development, the international protests for racial justice following George Floyd¿s death. The protests, too, raised the question of solidarity in guilt, even guilt across generations. By taking up our common guilt with all humanity, we come into solidarity with the one who bears it and redeems it all. In Christ, sins are forgiven, guilt abolished, and a new way of living together becomes possible. This solidarity in forgiveness gives rise to a life of love.This issue of Plough explores what solidarity means, and what it looks like to live it out today, whether in Uganda, Bolivia, or South Korea, in an urban church, a Bruderhof, or a convent.

Welcome back to Dinotopia, an uncharted land where dinosaurs and people live peacefully together. Author and illustrator James Gurney has created an unmatched fantasy land of memorable characters and fabulous art.