Bøger af James Rose

Cliff Beauregard, the central figure of James Rose's fourth novel, is a young folksinger who lives in Banff, Alberta. When he finally gets his first big break as a musician, it comes at the cost of his losing his beloved girl and dog. To make matters more complicated, Cliff soon finds himself pursued across the Bow Valley by agents of a mysterious organization. Rose's novel is a tale of mistaken identity set in the heart of the Canadian Rockies. King Hell Spectacle reinforces the author's reputation as the foremost chronicler of the way we live in Canada. In King Hell Spectacle, Rose gives us a gargantuan helping of the human comedy, of Banff in the 2020s, a town boiling over with people lusting to live their best lives.

Ellie Mack was the ideal child. The youngest of three siblings, she was fifteen. Her parents, friends, and instructors adore her, and she is one half of a teenager power couple. With her entire life ahead of her, Ellie was just days away from an exquisite summer vacation following her examinations.

Because psychoanalysis is a science of subjectivity, it is no surprise that symbolism has been of central interest from its inception and early development. This book is assembled in such a way that the reader can trace the development of the understanding of symbols and their formation and use in its historical context.

This book is about how we can deepen our understanding of subjectivity through the use of the concept of triangulation. Fundamentally, this book seeks to address the question of how we can be objective about subjectivity. If psychology, as a scientific discipline, is concerned with the study of human experience.

Seeks help those going through the process of mid-adolescence - either from the point of view of the adolescent or their families - this book attends to the serious strains that may have to be borne if the picture portrayed is to have any realism.

Shows how we can deepen our understanding of subjectivity through the use of the concept of triangulation. This book seeks to address the question of how we can be objective about subjectivity.

As well as providing a summary of the making of the film, James Rose discusses the extraordinary censorship history of the film in the UK (essentially banned for two decades) and provides a detailed textual analysis of the film with particular reference to the concept of 'the Uncanny'.