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""Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there'd be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn's late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room...." Thus begins Drive by one of the nation's most respected and honored authors. Set mostly in Arizona and L.A., the story is, according to Sallis, "about a guy who does stunt driving for movies by day and drives for criminals at night. In classic noir fashion, he is double-crossed and, though never before has he participated in the violence (I drive. That's all.), he goes after the ones who double-crossed and tried to kill him.""--
For the first time ever, the complete short fiction of literary legend James Sallis is collected in one gorgeous volume--a must-have holiday gift for the crime, mystery, or speculative fiction fan in your life. Published over the six decades of Sallis's storied career, the complete collection contains 154 stories, 12 of which are exclusive to this volume. By all accounts, James Sallis is a multi-hyphenate, once-in-a-generation thinker--an innovator of multiple genres, styles, and forms. Lit Hub has compared Sallis to contemporaries Don DeLillo and Thomas Pynchon. While he is revered as a literary godfather of the crime and noir genres--his contributions including such works Drive, now a cult-classic film, and his Lew Griffin series--he is equally respected among speculative fiction practitioners for the work he began publishing in science fiction magazines in the 1960s. He is recognized for his uncompromising craft, and for the poetry, philosophy, and empathy he imbues in each glittering moment. Now, for the first time ever, Sallis's complete short fiction is collected in one gorgeous volume--a must-have library addition for readers of speculative fiction and noir, and for writers of all genres.
The new collection of weird and intriguing tales from the author of DRIVE which reflect on his deep respect for classic science fiction, fantasy, and crime fiction.
Under the wise gaze of 'The Butterfly Witch' by Melissa Mary Duncan, this issue promises at least two sides to every story.Siblings work through past hurts and begin new journeys in 'Old Gifts' by feature author James Sallis and 'Can-on-a-String' by Alex Kitt. Meanwhile, zombies do double duty in 'Ambience' by Jason P Burnham and 'Caught Dead' by Shawn L Bird. We navigate new lands with Pete Barnstrom in 'Oeufs Dangereux' and Cheryl Skory Suma in 'Adrift off the Shore of Alzheimer Island'. And Anna Zumbro in 'The Dump 'Em Dog' and Mikael Lopez and Enrico Orlandi in 'Forgive My Delay' remind us that, no matter the world in which we live, breaking up is hard to do. Next, triple your literary delight with historical fiction: 'The Shepherdess: Grandmère Paris' by JM Landels, 'Pretty Lies: I Can See for Miles' by Mel Anastasiou, and 'Once Upon a Time in Camelot' by GD Litke. Three's the charm for poetry too, with our Magpie Award winners Cara Waterfall's 'griefbody' and 'Harvest' and Kevin Spenst's 'BigGermanDialectWordClankinglyInsertedHere!'.
Ain't Long Fore Day are poems that carry on in the spirit of the blues. With music and enigma, James Sallis delivers lyrical and narrative poems steeped in the beauty of the every day.
Presents the history and development of the guitar as a jazz instrument. This volume traces the evolution of jazz guitar playing, from the pioneering styles of Nick Lucas and Eddie Lang through the innovations of such contemporary masters as Jim Hall and Ralph Towner.
The guitar and American music are inexorably intertwined. In this book, the author notes that 'American music was built on the backs of black slaves'. It shows how folk music and a cross-fertilization of traditions and techniques resulted in blues, ragtime, jazz, rock 'n' roll, and country-western.
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