Bøger af James Shapiro

How did Shakespeare go from being a talented poet and playwright to become one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he saw and who he worked with as he invests in the new Globe theatre and creates four of his most famous plays - Henry V, Julius Caesar, As You Like It, and, most remarkably, Hamlet.This book brings the news, intrigue and flavour of the times together with wonderful detail about how Shakespeare worked as an actor, businessman and playwright, to create an exceptionally immediate and gripping account of an inspiring moment in history.

1935. Franklin D. Roosevelt is under pressure to combat the skyrocketing levels of unemployment inpost-war America. He announces a sweeping range of revolutionary initiatives, known collectively asthe New Deal. Among these initiatives is a landmark programme designed to bring innovative,experimental theatre to the American masses.The Federal Theatre Project

"From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. ... It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day--from slum housing and public health to racism and the rising threat of fascism. The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's .. range and vitality"--

This anthology contains 21 of my poems. There are no introductions and no explanations; no planned structures and no deliberate rhymes; no story and no moral. All that there is are the words that I have bled, all of which you will find meaning in; some of which you will find kinship in; and a few of which you might even find comfort in.

The Guide to Huge Cash Awards, Lifetime Payments & Maximum Money. By Jim "The Hammer" Shapiro. Learn how to wring Maximum Money Awards out of: Smug Insurance Companies; Rich, Greedy Corporations; Evil Landlords; and Crooked Stock Brokers.

"Preeminent Shakespeare scholar James Shapiro shows how the tumultuous events in England in 1606 affected Shakespeare and shaped the three great tragedies he wrote that year--King Lear, Macbeth, and Antony and Cleopatra. In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age forty-two, he found his footing again, finishing a play he had begun the previous autumn--King Lear--then writing two other great tragedies, Macbeth and Antony and Cleopatra. It was a memorable year in England as well--and a grim one, in the aftermath of a terrorist plot conceived by a small group of Catholic gentry that had been uncovered at the last hour. The foiled Gunpowder Plot would have blown up the king and royal family along with the nation's political and religious leadership. The aborted plot renewed anti-Catholic sentiment and laid bare divisions in the kingdom. It was against this background that Shakespeare finished Lear, a play about a divided kingdom, then wrote a tragedy that turned on the murder of a Scottish king, Macbeth. He ended this astonishing year with a third masterpiece no less steeped in current events and concerns: Antony and Cleopatra. The Year of Lear sheds light on these three great tragedies by placing them in the context of their times, while also allowing us greater insight into how Shakespeare was personally touched by such events as a terrible outbreak of plague and growing religious divisions. For anyone interested in Shakespeare, this is an indispensable book"--

Examines current debates about the actual authors of Shakespeare's plays, citing challenges from famous historical figures while discussing the sources of modern doubts and the author's own beliefs.

1599 was an epochal year for Shakespeare and EnglandShakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.James Shapiro illuminates both Shakespeare's staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

Shakespeare's position as England's national poet is established and unquestionable. But as James Shapiro illuminates in this revelatory new history, Shakespeare has long held an essential place in American culture.

For two hundred years after William Shakespeare's death, no one thought to argue that somebody else had written his plays. Since then dozens of rival candidates - including The Earl of Oxford, Sir Francis Bacon and Christopher Marlowe - have been proposed as their true author. Contested Will unravels the mystery of when and why so many people began to question whether Shakespeare wrote the plays (among them such leading writers and artists as Sigmund Freud, Henry James, Mark Twain, Helen Keller, Orson Welles, and Sir Derek Jacobi)Shakespeare scholar James Shapiro's fascinating search for the source of this controversy retraces a path strewn with fabricated documents, calls for trials, false claimants, concealed identity, bald-faced deception and a failure to grasp what could not be imagined. If Contested Will does not end the authorship question once and for all, it will nonetheless irrevocably change the nature of the debate by confronting what's really contested: are the plays and poems of Shakespeare autobiographical, and if so, do they hold the key to the question of who wrote them? '[Shapiro] writes erudite, undumbed-down history that . . . reads as fluidly as a good novel.' David Mitchell, the Guardian.

A somewhat introspective, possibly even a personal account, awaits the reader in James Shapiro's Sunrise over Belet and one wonders if the author, who shares his name with the principal character in the book, are one and the same, and that James Shapiro is perhaps writing from the heart. Sunrise over Belet recounts one man's struggle from boyhood through to adulthood with the demon voices in his head. A troubled school life gives rise to academic success and then a career in the city, neither of which assuages the increasingly loud noises in James' head and which dog James at every turn. The death of a friend propels James rapidly into a new life in another country and so his voyage of self-discovery continues. Sunrise over Belet reflects the struggles of many people, were they to admit it; the self-doubt we all experience and the increasing wonder of the meaning of life as we grow up and grow older. Sunrise over Belet is a fascinating insight into one of the many aspects of the human condition with a brilliantly managed conclusion.

Following the biographical style of 1599, this book traces Shakespeare's life and times from the autumn of 1605, when he took an old and anonymous Elizabethan play, The Chronicle History of King Leir, and transformed it into his most searing tragedy, King Lear.