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Today, the industrial world is experiencing the most revolutionary change since Henry Ford''s assembly line -- which forever changed the way things are made. Japanese companies are sweeping the world, as Western companies and governments struggle to find ways to emulate them. The Machine That Changed the World points for the first time to a positive way out of this dilemma. It shows that being defeatist about the Japanese threat, and tougher protectionism, are not the answers. This book outlines the enormous tasks facing Western companies in the 1990s and has cogent messages for Japanese firms as well, as they move abroad. The Machine That Changed the World is based on the largest and most thorough study ever undertaken in any industry: the Massachusetts Institute of Technology five-million-dollar, five-year, fourteen-country International Motor Vehicle Program''s study of the worldwide auto industry. Twice in this century the auto industry has changed our most fundamental ideas about how to make things. Now it is doing it again. Just as mass production swept away craft production, so a new way of making things, called lean production, is now rapidly making mass production obsolete. Lean production is the Japanese secret weapon in the industrial wars and is spreading throughout the world. If Western companies and their managers and workers are to survive in the 1990s, they must learn and adapt to lean production. Some of the smartest already have begun to do so. Lean production welds the activities of everyone from top management to line workers, to suppliers, into a tightly integrated whole that can respond almost instantly to marketing demands from consumers. It can also double production and quality, while keeping costs down. Its adoption, as it inevitably spreads beyond the auto industry, will change almost every industry and consequently how we work, how we live, and the fate of companies and nations as they respond to its impact. In clear and compelling terms, this book explains what lean production is, and its global implications for all of us.
Why Are You Shouting?, James Womack's fourth Carcanet collection, thinks about two things in particular: our struggle as individuals to find connections between ourselves, with friends, family and lovers, and the efforts we make as groups to connect to the environment we live and die in. Written in the shadow of the climate crisis and the pandemic years, the poems set out to find points of hope and solidarity, against a common backdrop of disruption and collapse to which we are often wilfully blind. Alongside these concerns runs a narrative of personal blindness and self-enchantment, a willingness to allow oneself to be misled in order to have a quiet life. If the collection's title suggests that raising one's voice is the readiest way to reach other people, the poems themselves dare to offer quieter solutions, too: there is space for humour and kindness, even a degree of positive thinking about the state the world is in. The ghost of Cassandra, the Trojan princess given the gift of prophecy but condemned to have no one believe her words, haunts the collection: her life is a warning, but also an antidote to willed ignorance. 'The God of whom I speak is dead. I did my makeup in a disco ball. I looked at the whole magnificent creation of the Lord, and asked, sadly, "Is it cake?"'
This third collection from award-winning poet and translator James Womack is a long poem remaking the Elegies of the 'last Roman poet' Maximianus, boldly exploring sex and old age.
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