Bøger af Jane L. Chapman

The gendered nature of the relationship between the press and emergence of cultural citizenship from the 1860s to the 1930s is explored through original data and insightful comparisons between India, Britain and France in this integrated approach to women's representation in newspapers, their role as news sources and their professional activity.

Journalism is being forced to re-invent itself, prompted by the dual impact of technology and globalization. Journalism Today considers issues such as the effects of commercialism and the impact of citizen journalism.

* A unique guidebook to the process of documentary making, from initial planning stages through to marketing and distribution. * Solid professional advice grounded in a broad range of real life experiences and examples - a range of producers have made their production records available for this book.

Documentary is fast changing: with the digital revolution and the enormous increase in Internet usage, the range of information and outlets for distribution continues to become more diverse. This title presents the challenges of contemporary documentary.

* The unique perspective of this book comes from its comparative approach. It deals with material from 5 different countries, whereas the competition focuses purely on either the UK or US. * Includes coverage of every main media industry, including the music and advertising industries, which have been neglected in other studies.

This book is the first attempt to analyse records of people of Afro-Caribbean origin who appealed against repatriation during the painful period after Britain's 1919 race riots.

This book represents the first systematic attempt to analyse media and public communications published in Britain by people of African and Afro-Caribbean origin during the aftermaths of war, presenting an in-depth study of print publications for the period 1919-1924.

This book is the first attempt to analyse records of people of Afro-Caribbean origin who appealed against repatriation during the painful period after Britain's 1919 race riots.

This transnational, interdisciplinary study argues for the use of comics as a primary source. In recuperating currently unknown or neglected strips the authors demonstrate that these examples, produced during the World Wars, act as an important cultural record, providing, amongst other information, a barometer for contemporary popular thinking.

Comics, the Holocaust and Hiroshima breaks new ground for history by exploring the relationship between comics as a cultural record, historiography, memory and trauma studies. Comics have a dual role as sources: for gauging awareness of the Holocaust and through close analysis, as testimonies and narratives of childhood emotions and experiences.