Bøger af Jay MillAr

Poetry. Spanning more than 25 years, I COULD HAVE PRETENDED TO BE BETTER THAN YOU gathers work from three distinct eras of Jay Millar's development as a poet: the wonder years of the 1990s culled from a variety of self-published micropress publications, most of which are hiding in special collections; poems from his trade books issued between 2000 and 2015; and new poems that have emerged during his present condition as one of Canada's most progressive co-publishers. The broad view that this collection offers enables an appreciation of Millar's work as both an idiosyncratic, herkyjerk chronicle of small press culture and a multifaceted mode of questioning how we judge sensations, failures, affections, and relationships. However irreverent he may seem, Jay Millar possesses a disarmingly honest, inventive sensibility closely attuned to the everyday, the overlooked, the transient. Be careful where on your bookshelf of Canadian poetry you place this volume: it might very well set others askew.

Timely Irreverence is a collection of occasional poems that are sewn together through the inescapable intrusion of poetry itself. With circles of logic that provoke thoughtfulness, the paths of these poems are alluringly complex, and they engage through amusing points of casual living, visceral moments when poetry is permitted to intrude upon the everyday. Whether MillAr is letting a poem pass him by while mowing the grass, or etching it upon himself to make them witness our cliches, Timely Irreverence is filled with the voice of a poet in touch with and opposing his creative spirit.

Jay Millar's second collection of poems looks at the world of mushrooms through a kaleidoscope ofperspectives and styles, ranging from innovative and constraint-based writing to visual and concrete poetry. This book makes a unique contribution to the poetry of science and nature; if mushrooms have a language that is spoken to us or through us as hallucinogenic experiences, Millar has managed to tap into that language and refine it into potent poetic form.'As readers, ' says Millar, 'we witness that which occurs on and above the surface of language. Meanwhile, the fungal threads themselves, lying beneath or between the letters, faithfully connect each piece of the whole to all of the others in a particular order forever unknown to the reader.' "Mycological Studies" is an uncanny book, one that suggests that the divides between the sentient and the unconscious are frequently bridged in subtle and mysterious ways.