Bøger af Jean Florent Romaric Gnayoro

Une logique dialogique et polyphonique de l'écriture littéraire trouve un ancrage et s'harmonise autour d'une constance véhiculée chez Georges Perec et Michel Houellebecq, par l'entremise de l'ataraxie qui apparaît comme une donnée majeure dans leurs romans respectifs que sont Les choses, une histoire des années soixante et La carte et le territoire.L'ataraxie chez ces auteurs se rapporte aux tranquillités de l'âme et de l'esprit qu'ont recherchées les personnages dans leur course au bonheur. Il reste pourtant, que la logique dialogique met en évidence l'expression artistique relevant d'une certaine disposition d'esprit, à la fois des auteurs et du lecteur-spectateur. Lorsqu'ils cherchent à éclairer l'opinion, au prisme de l'ataraxie convoquée dans les oeuvres romanesques étudiées, les auteurs par l'entremise d'une référentialité au monde réel, inhérent à cette pratique, participent à insérer dans le processus littéraire une intertextualité relevant d'une logique polyphonique.

Este trabalho inscreve-se no âmbito da Primeira Jornada de Estudos sobre o Romance Francês, enquanto espaço de reflexão, debate e expressão. Este quadro de estudo permite refletir sobre a especificidade de romancistas franceses como Gaston Leroux e Jean d'Omerson. As diferentes contribuições destacam a particularidade da imaginação literária, após uma análise da estética destes romancistas franceses.

Dieses Buch ist Teil eines ersten Studientages über den französischen Roman, der als Raum für Reflexion, Debatten und Ausdrucksmöglichkeiten gedacht ist. Dieser Studienrahmen beleuchtet die Besonderheit der französischen Romanautoren Gaston Leroux und Jean d'Omerson. Die verschiedenen Beiträge heben die Besonderheit der literarischen Imagination hervor, die sich aus einer Analyse der Ästhetik dieser französischen Romanautoren ergibt.

This work is part of the First Study Day on the French Novel, as a space for reflection, debate and expression. This framework of study sheds light on the specificity of French novelists Gaston Leroux and Jean d'Omerson. The various contributions highlight the particularity of the literary imagination, following an analysis of the aesthetics of these French novelists.

Questo lavoro fa parte della Prima giornata di studio sul romanzo francese, come forum di riflessione, dibattito ed espressione. Questo quadro di studio fa luce sulla specificità di romanzieri francesi come Gaston Leroux e Jean d'Omerson. I vari contributi evidenziano la particolarità dell'immaginario letterario, dopo un'analisi dell'estetica di questi romanzieri francesi.

The lexico-semantic analysis of the Ivorian motto "Union, Discipline, Work" highlights two terms: lexicon and semantics. The lexicon of a language is its set of words. These form a whole, a kind of semantic system, which evolves over time. The relationships between words, form and, above all, meaning are highly diverse. The size of a lexicon, more or less variable, depends on the fields of knowledge or techniques it is used to express. The extent of the lexicon known or used by each person also varies, depending on their background, but also on their stories and life situations. Semantics is the branch of linguistics that studies the signified. It covers a whole range of processes that contribute to the construction of meaning in communication, and in language in particular.

With the psychoanalysis of consciousness in Giono and Le Clézio, it is always the case that at the beginning the consciousness of the characters reveals an instability in their vital element. But throughout their journeys, their views will metamorphose into a completely different conception of a world, now linked to the beauties hidden in nature. This is how we find ourselves in a situation where the characters become aware of a nature that can provide them with a certain stability, a certain comfort.

Naturévasion é um neologismo, cunhado para a ocasião, para descrever a propensão das personagens de Giono e Le Clézio para escapar ao prazer quase inefável que a natureza lhes dá. A evidência de tal abordagem da natureza visível na obra de Giono e Le Clézio, em torno do tema da fuga, contribui para a construção do conceito de naturévasion. Trata-se de uma precisão que faz parte de uma análise crítica, que se centra, com razão, na relação entre natureza e fuga.

Naturévasion is a neologism, coined for the occasion, to describe the propensity of Giono's and Le Clézio's characters to escape from the almost ineffable pleasure that nature gives them. The evidence of such an approach to nature visible in the work of Giono and Le Clézio, around the theme of escape, contributes to the construction of the concept of naturévasion. It is a precision that is part of a critical analysis, which is indeed rightly focused on the relationship between nature and escape.