Bøger af Jean Ray

En este volumen: Los cuentos del whisky, El crucero de las sombras, El gran nocturno, La ciudad del miedo indecible, El libro de los fantasmas.Si no sabe que leer desde que

Translation of: La citâe de l'indicible peur.

Wartime tales of disquiet and dread from Jean Ray, author of Cruise of Shadows and progenitor of the "Belgian School of the Strange"During the Occupation, severed from contact with France and other countries, Belgian publishing turned inward, and forgotten authors such as Jean Ray were given new leases on literary life. Embracing the influence of American pulp fiction, Ray's short stories found a new audience during World War II, and gave voice to a realm of fear and unease that blended fantasy with a Catholic heritage and a distinctly bourgeois everyday. Circles of Dread, Ray's fourth short-story collection, was first published in 1943, the same year that saw the appearance of his best-known work, the novel Malpertuis. This collection's portholes onto sinister fantasy include such stories as "The Marlyweck Cemetery," "The Inn of the Specters" and "The Story of the Wûlkh." Ray takes the reader from the quiet streets of Ghent to the scrambled streets of London to the Flinders river in Australia, with tales spun from such materials as the iron hand of Götz von Berlichingen, the black mirror of John Dee, a Moustiers ceramic plate and the shifting, extradimensional menace of a predatory cemetery. Alternately referred to as the "Belgian Poe" and the "Flemish Jack London," Jean Ray (1887-1964) delivered tales and novels of horror under the stylistic influence of Dickens and Chaucer. His alleged lives as an alcohol smuggler on Rum Row in the Prohibition Era, an executioner in Venice and a Chicago gangster in fact covered over a more prosaic existence as a manager of a literary magazine that led to a prison sentence, during which he wrote some of his most memorable tales.

In English for the first time, the collection that launched Jean Ray's reputation as the Belgian master of the weird taleAfter the commercial failure of his 1931 collection of fantastical stories Cruise of Shadows, Jean Ray spent the next decade writing and publishing under other names in the stifling atmosphere of Ghent. Only in the midst of the darkest years of the Nazi Occupation of Belgium would he suddenly publish a spate of books under his earlier nom de plume. The first of these volumes was The Great Nocturnal. Published in 1942, the collection, as its subtitle indicates, consists of tales of fear and dread, but a dread evoked not by the standard tropes of horror but what had by now evolved into Ray's personal brand of fear, drawn from a specifically Belgian notion of the fantastic that lies alongside the banality of everyday life. An aging haberdasher's monotonous life opens up to a spiritual fourth dimension (and serial murder); an inebriated young man in a tavern draws cryptic symbols and mutters statements that evoke an inexplicable terror among some sailors, and, as he sobers up, himself; three students drink Finnish Kümmel and keep watch over a deceased woman's apartment, awaiting a horrific transmutation. Yet these tales are laced with a certain mordant humor that bears as much allegiance with Ambrose Bierce as Edgar Allan Poe, and toy as much with the reader's expectations as they do with their characters. Jean Ray (1887-1964) is the best known of the multiple pseudonyms of Raymundus Joannes Maria de Kremer. Alternately referred to as the "Belgian Poe" and the "Flemish Jack London," Ray authored some 6,500 texts in his lifetime, not including his own biography, which remains shrouded in legend and fiction, much of it of his own making. His alleged lives as an alcohol smuggler on Rum Row in the Prohibition Era, an executioner in Venice, a Chicago gangster, and hunter in remote jungles in fact covered over a more prosaic, albeit ruinous, existence as a manager of a literary magazine that led to a prison sentence.

Footsteps in an abandoned holiday resort as the cold weather settles in; a knock on the door of a hut in the middle of an isolated bog; a lane in Rotterdam perceptible to only one inhabitant in the city. In Cruise of Shadows, Jean Ray began to fully explore the trappings of the ghost story to produce a new brand of horror tale: one that described the lineaments of a universe adjacent to this one, in which objects sweat hatred and fear, and where the individual must face the unknown in utter isolation. First published in 1931, two years after he served his prison sentence for embezzling funds for his literary magazine, Ray's second story collection failed to find the success of his first one, Whiskey Tales, but has emerged over the years as a key publication in the Belgian School of the Strange. It has remained unavailable in its integral form even in French until recently, however, though it contains some of Ray's most anthologized and celebrated stories, including two of his best known, "The Mainz Psalter" and "The Shadowy Alley." This is the book's first English translation, and the second of the volumes of Ray's books to be published by Wakefield Press. Alternately referred to as the "Belgian Poe" and the "Flemish Jack London," Jean Ray (1887-1964) delivered tales of horror under the stylistic influence of his most cherished authors, Charles Dickens and Geoffrey Chaucer. A pivotal figure in what has come to be known as the "Belgian School of the Strange," Ray authored some 6,500 texts in his lifetime--Amazon.com

Originally published in French in 1925, Whiskey Tales immediately established the reputation of the Belgian master of the weird, Jean Ray (1887-1964), whose writings in the coming years would come to chart out a literary meeting ground between H.P. Lovecraft and Charles Dickens. A commercial success, the collection earned Ray the appellation of the "Belgian Poe." A year later, however, the author would be arrested on charges of embezzlement and serve two years in prison, where he would write some of his best stories. Something of a prequel to later collections such as Cruise of Shadows or Circles of Terror (both forthcoming from Wakefield Press), Whiskey Tales finds Ray embracing the modes of adventure and horror fiction adopted by such contemporaries as Pierre Mac Orlan and Maurice Renard. Taking us from ship's prow to port, from tavern to dead-end lane, these early tales are ruled by the spirits of whiskey and fog, each element blurring the borders between humor and horror, the sentimental and the sinister, the real and the imagined. A handful of these stories first appeared in English in Weird Tales in the 1930s, but the majority of this collection has never been translated. This first complete English-language edition is the first in many volumes of Jean Ray's books that Wakefield Press will be bringing out over the coming seasons.

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