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For six months, Julia has lived alone in a drab Parisian hotel on an allowance from her ex-lover, Mr Mackenzie. When his cheques stop, Julia decides to leave France and return to London. Past her prime, exhausted by broken love affairs and addled by drink, Julia is tragically unable to find what she really wants - love.
In 1930s Paris, where one cheap hotel room is very like another, a young woman is teaching herself indifference. She has escaped personal tragedy and has come to France to find courage and seek independence. She tells herself to expect nothing, especially not kindness, least of all from men. Tomorrow, she resolves, she will dye her hair blonde.
Set against a background of winter-wet streets, Pernod in smoky cafes and cheap hotel rooms, Marya tries to make something substantial of her life in order to withstand the unreality of her surroundings. Alone, her Polish husband in prison, she is taken up by an English couple who slowly overwhelm her with their passions.
The story of a woman on the edge caught in the stranglehold between her lover and his wife. When her husband is released from prison, the situation explodes.
Jean Rhys wrote this autobiography in her old age, now the celebrated author of Wide Sargasso Sea but still haunted by memories of her troubled past: her precarious jobs on chorus lines and relationships with unsuitable men, her enduring sense of isolation and her decision at last to become a writer. From the early days on Dominica to the bleak time in England, living in bedsits on gin and little else, to Paris with her first husband, this is a lasting memorial to a unique artist.
Jean Rhys was one of the twentieth century's foremost writers, a literary artist who made exqusite use of the raw material of her own often turbulent life to create fiction of memorable resonance and poignancy. Here for the first time in one volume are her complete stories.
New to Penguin Classics, the remarkable, devastating collected stories by the author of Wide Sargasso Sea.Some of Jean Rhys's most powerful writing is to be found in this rich, dark collection of her collected stories. Her fictional world is haunted by her own, painful memories: of cheap hotels and drab Parisian caf s; of devastating love affairs; of her childhood in Dominica; of drifting through European cities, always on the periphery and always perilously close to the abyss. Rendered in extraordinarily vivid, honest prose, these stories show Rhys at the height of her literary powers and offer a fascinating counterpoint to her most famous novel, Wide Sargasso Sea. This volume includes all the stories from her three collections,The Left Bank (1927), Tigers Are Better-Looking (1968) and Sleep It Off, Lady (1976).
Textual notes illuminate the novel's historical background, regional references, and the non-translated Creole and French phrases necessary to fully understand this powerful story. Backgrounds includes a wealth of material on the novel's long evolution, it connections to Jane Eyre, and Rhys's biographical impressions of growing up in Dominica. Criticism introduces readers to the critical debates inspired by the novel with a Derek Walcott poem and eleven essays.
Born into an oppressive, colonialist society, white Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent beauty and sensuality. After their marriage, however, disturbing rumours begin to circulate which poison her husband against her.
'It was as if a curtain had fallen, hiding everything I had ever known,' says Anna Morgan, eighteen years old and catapulted to England from the West Indies after the death of her beloved father. Working as a chorus girl, Anna drifts into the demi-monde of Edwardian London.
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