Bøger af Jed Rasula

On the 100th anniversary of T. S. Eliot's modernist masterpiece, a rich cultural history of The Waste Land's creation, explosive impact, and enduring influenceWhen T. S. Eliot published The Waste Land in 1922, it put the thirty-four-year-old author on a path to worldwide fame and the Nobel Prize. "e;But,"e; as Jed Rasula writes, "e;The Waste Land is not only a poem: it names an event, like a tornado or an earthquake. Its publication was a watershed, marking a before and after. It was a poem that unequivocally declared that the ancient art of poetry had become modern."e; In What the Thunder Said, Rasula tells the story of how The Waste Land changed poetry forever and how this cultural bombshell served as a harbinger of modernist revolution in all the arts, from abstraction in visual art to atonality in music.From its famous opening, "e;April is the cruellest month, breeding / Lilacs out of the dead land,"e; to its closing Sanskrit mantra, "e;Shantih shantih shantih,"e; The Waste Land combined singular imagery, experimental technique, and dense allusions, boldly fulfilling Ezra Pound's injunction to "e;make it new."e; What the Thunder Said traces the origins, reception, and enduring influence of the poem, from its roots in Wagnerism and French Symbolism to the way its strangely beguiling music continues to inspire readers. Along the way, we learn about Eliot's storied circle, including Wyndham Lewis, Virginia Woolf, and Bertrand Russell, and about poets like Mina Loy and Marianne Moore, whose innovations have proven as consequential as those of the "e;men of 1914."e;Filled with fresh insights and unfamiliar anecdotes, What the Thunder Said recovers the explosive force of the twentieth century's most influential poem.

A diverse collection of essays and interviews on reading, teaching, and writing poetry from a preeminent critic and scholar.

A colourful history of Dada, leading readers through the germination and dissemination of this revolutionary but little-understood artistic movement.

The sites of inspiration documented in this book range from nineteenth century linguistic theory to postmodern strategies of conceptual writing, encompassing well known instances of modernist poetics (Mallarme, Pound, Olson) alongside obscure but revealing figures like Otto Nebel and Henri-Martin Barzun.

Poetry, for Jed Rasula, bears traces of our entanglement with our surroundings. In this work he surveys both the convictions asserted by American poets and the poetics they develop in their craft, all with an eye toward an emerging ecological worldview. A range of different poets is examined.

An analysis of the sustaining vitality behind contemporary American poetry from 1975 to the 2003, these 12 essays examine both exemplary innovators and the social context in which innovation is resisted, acclaimed, or taken for granted.