Bøger af Jeff Clark

The Tabernacle follows the sweeping 13,000 year history of two central Texas farm communities: Alameda and Cheaney. Searching along winding wooded trails, uncovering hidden homesteads miles from the nearest road and listening at last to the words of teachers four decades his senior, author Jeff Clark begins to hear the tale of timeless lands, and the lessons as it finally breaks open in his own life. This sprawling epic is full of firsthand testimony about the harsh settlement of the Texas frontier, as well as surprising glimpses into his storytellers' twenty-first century lives. The Tabernacle will move you deeply, as it has moved within the lives of many generations encamped along the shores of the Leon River.

The long-awaited second full-length collection from one of our most exciting poets.Imagine if you will a pageant on a hilland picture if you can a boydesigned to be impaled upon a stiltand bleed for a panelist's joyJeff Clark's first collection, The Little Door Slides Back, was hailed as an unclassifiable classic in underground American writing: "A shadow world, seen by a visionary" (Rain Taxi); "a 120-page spell" (American Letters & Commentary); "a happy sadomasochism, a luxuriance of prurience" (Boston Review); "devoted to the idea of possibility in the poet who operates as free agent, looking to the weather not for the springs of dailiness but for some message from the aether" (Arras); "thick, purring music" (Rhizome).In Music and Suicide, his second collection, Clark moves away from the sinisterism and mask-ridden black humor of his debut, into a present mazy with freed shadow, somatic magic, and post-suffocatory seeing.

But then, from way off, with crankingcomes my night, and when it arrivesI go to it like a callboy to a c-note.--"My Interior""Jeff Clark's poems . . . marry the stoned reveries of our postmodern era with the symbolist bliss of a previous one . . . In meticulously crafted verse and prose poems, The Little Door Slides Back offers the reader glimpses of a shadow world, seen by a visionary who has a clear strategy for depicting them." --*Ruth Andrews, Rain Taxi"A 120-page spell . . . This is a beautiful work whose accuracy edges on the uncanny. Within, among, and around it all is presence, an almost hallucinogenic immediacy in which everything is seen and is in turn seeing." --Cole Swenson, American Letters & Commentary"Clark integrates fin-de-siècle richness, hallucinatory vision, and a gothicism extracted from the bleak cul-de-sacs of postmodern life . . . constructing a flaneur who is both terrified and bemused by the world he enters as 'the little door slides back.'"--John Yau, Boston Review