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The Old Masters erects poetic monuments to such great American male writers as Hemingway, Fitzgerald, and Bukowski and at the same time knocks those grave stones askew with the insertion of poems about Albert Camus, Emily Dickinson, Sylvia Plath, and -- most surprisingly -- Joan Vollmer, William Burroughs' wife and (accidental?) victim. Jeffrey Graessley's poems poignantly articulate the postmodern son's wish to emulate and embody the best of the modernist father. But that admiration battles with his increasing sense that the great men (and two great women [and one dead wife]) are not parents at all, but siblings - flawed, often addicted creators looking for the same things the poet is: a new way to speak artistically. The poems here delicately enact a struggle that is once mournful, insightful, and timely. Stephanie Barbé Hammer, author of How Formal? and Sex with Buildings.
Dual Impressions: Poetic Conversations About Art is a discussion between John Brantingham and Jeffrey Graessley about art and life in poetic form. The collection covers themes such as war, poverty, and social justice. Featured artists include: Max Beckman, Arnold Bocklin, Eugène Boudin, Constantine Brancusi, Pieter Bruegel (the Elder), Philip Hermogenes Calderon, Paul Cézanne, Marc Chagall, Frederick Edwin Church, Thomas Cole, Lucas Cranach (the Elder), Edgar Degas, Jan Davidz de Heem, El Greco, Max Ernst, Juan Gris, Paul-Camille Guigou, Edward Hopper, Paul Klee, Gustav Klimt, Pieter Lastman, René Magritte, Édouard Manet, Henri Matisse, Amadeo Modligliani, Claude Monet, Jacob Moore, Pablo Picasso, The Polyphemus Painter, Francesco Primaticcio, Pierre-Auguste Renoir, John Singer Sargent, Sassetta, Georges-Pierre Seurat, Henri de Toulouse-Lautrec, Vincent van Gogh, John William Waterhouse, James Whistler, Tung Yuan
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