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Poetry. LGBT Studies. BC Poetry in Transit selection (poem displayed on Vancouver city buses). Poems from THE SLEEP OF FOUR CITIES selected as Poems of the Day on US websites Verse Daily and Poetry Daily. Powered by lush imagery and lyricism, the poems in THE SLEEP OF FOUR CITIES use the city as a metaphor for the complexity of self. This book invites the reader to take a journey through multiple cities--cities of memory, of desire, of imagination, of discovery, of loss--with only the map of language as a guide. The cities in this book are not always easily unlocked--they are at once tangible and invisible; they exist both inside and outside the speakers of the poems. Throughout the book, these speakers seek to discover what is within their grasp and what, like water, will slip through their fingers. She has created an enchanted universe--where senses quiver, and colors are so saturated, they're almost hallucinogenic. But beauty draws the reader close, only to plunge into emotional risk: everything is transient and uncertain. Even nostalgia is uncomfortable, like 'working...a new glove, ' as if memories had arrived in the wrong size...There's no complacency here; Currin's bold lyric poems startle readers awake.--Foreword Reviews Currin's poetry attends us, lighting the ball at midnight, where first love and first terror are arm-in-arm, waiting in their figurative, gesticulating disguises to welcome us to a primitive happiness.--Rain Taxi Review of Books Jen Currin's THE SLEEP OF FOUR CITIES comes into Canadian poetry with the same electric intimacy as Picasso's Les Demoiselles d'Avignon brought to the drawing rooms of Europe a century ago, and with a similar omnipresent dimensionality burning on the shore between touch and cognition. Currin's poems are reminiscent of Don Domanski's or John Ashberry's, except that with Currin's every link between every seemingly random image is precisely contained by a rigorous set of story-telling rules. Think Marilyn Bowering's Autobiography meets Erin Mouré in a gallery of brilliantly coloured painterly surfaces with their roots in wisdom literature and folk-tale magic, and you have a hint of it. With this volume, an entire tradition, with its roots in Latin American and Eastern European poetry, all shaped with the rigour of the New York School in which Currin trained, has the potential to inspire and define a generation. There hasn't been a debut like this since Margaret Atwood's The Journals of Susannah Moodie...--A rc Poetry 'My mask hangs by a threat, ' writes Jen Currin, and indeed an air of menace suffuses these brilliantly erotic and dangerous poems. Currin is a startling new talent who bears watching.--John Ashbery
Fiction. HIDER/SEEKER is the debut fiction collection from award-winning poet Jen Currin. These stories are about addiction and meditation, relationships and almost-relationships, solitude and sexuality. They take place in cafes, in snowy woods, on city street corners, and at Zen retreats--where conversations happen in the margins of books and filthy shoes are treated with reverence. Ex-wives reunite only to be confronted with their past; an aunt believes she has made a heartbreaking discovery about her niece; a seemingly never-ending hysterical pregnancy becomes the talk of a cafe. These stories are always unflinchingly honest in their portrayal of relationships--in particular the relationships of the book's lgbtq+ characters--as they navigate change, spirituality, and sex. Currin welcomes the reader into the complicated lives of her characters and invites them to stay.
Award-winning author Jen Currin presents remarkable and sometimes magical new stories of queer friendship and love, against the backdrop of city life.The stories in Disembark feature queer characters navigating new worlds, new circumstances, and new methods of relating to the people around them. With resonant imagery and clear, lyrical prose, Jen Currin weaves vibrant narratives showcasing queer relationships-be they platonic, romantic, or somewhere in between. A banshee shacks up with a lesbian couple in a rocky relationship, a lonely teen is gifted a knife by their mother's boyfriend, a queer woman finds herself heartbroken when her best friend fails her at a crucial moment, and a young alcoholic hashes things out with their mother in the afterlife. In modes both realist and fantastic, the profound and eloquent stories in Disembark provide a glimpse into the unexpected, offering insight into the ways we relate in this world and in worlds beyond.
"Heartsick, reverent, irreverent, and quietly political, Trinity Street is the much-anticipated fifth collection from poet Jen Currin, winner of the Audre Lorde Award and a Lambda finalist. While Trinity Street is in fact an actual street in Vancouver, it is also the site of an imaginary garden and imperfect utopia in the title poem of this new collection. Currin's poems weave together the meditative and the disruptive, the queer and quotidian, and the worlds of the dead and the living. Connections are made through prayer and protest; friendships are forged on a planet challenged by climate crisis, collective grief, and the perils of late capitalism. These poems vibrate with unexpected shifts and precise, startling imagery, the touchstones of a poet whose work critics have described as "thrilling," "emotionally evocative," and "revelatory.""--
A 2015 ReLit finalistA 2014 Dorothy Livesay Poetry Prize finalistShortlisted for the 2015 Pat Lowther Memorial Award"e;Her poetry is a subversion of the dominant paradigms in this country . . . one ride that will leave you gripping both sides of the canoe."e;Lambda Literary ReviewAt times a call to action and at others an intimate conversation between friends, Jen Currin's sensual and surreal poems speak to the political upheavals and environmental catastrophes of our time. School is an instruction manual for igniting transformation through a collective effort of love and community.Jen Currin's books of poetry include Hagiography and The Inquisition Yours, which won the Audre Lorde Award for Lesbian Poetry and was shortlisted for a Lambda Award.
In tongues alternately vulnerable, defiant, resigned, and hopeful, The Inquisition Yours speaks to the atrocities of our time war, environmental destruction, terrorism, cancer, and the erosion of personal rights fashioning a tenuous bridge between the political and the personal.
Her acclaimed debut collection, The Sleep of Four Cities, announced the arrival of a fully formed, arresting new talent, and the poems in Jen Currins new collection, Hagiography, see her trademark cunning wordplay and entirely contemporary take on the surrealist image moving into new and more personal territory. In a style that regularly pushes lifes barely hidden strangeness into the light, Currins poems present thought as a bright, emotionally complex event, a place where mind and sense and the natural world they move through become indistinguishable elements in a mysterious, familiar, vexing, fascinating, and continuous human drama. There are no saints in this hagiography only ghosts, sisters, spiders, birds This is an anti-biography. It starts with death and ends with birth. In between: life after life.
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