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This book asks what is the quality of participation in contemporary art and performance? Has it been damaged by cultural policies which have 'entrepreneurialized' artists, cut arts funding and cultivated corporate philanthropy? Has it been fortified by crowdfunding, pop-ups and craftsmanship? And how can it help us to understand social welfare?
How can an understanding of theatre in the city help us make sense of urban social experience?
Examines some of the most important performance in Britain and Northern Ireland from the mid-1980s into the new millennium. In a timely new critical approach, it considers contemporary British theatre in relation to national and supranational identities, concepts such as globalistion and diaspora, New Labour, devolution and European unification. -- .
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