Bøger af Jennette Lee

Mr. Achilles, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable book falls within the genres of Language and Literatures, American and Canadian literature

Simeon Tetlow's Shadow, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable book falls within the genres of Language and Literatures, American and Canadian literature

Lee offers a collection of short stories about the lives and struggles of famous musicians and artists. From Beethoven to Van Gogh, Lee's vivid writing brings these creative geniuses to life and provides a unique insight into their artistic processes and personal lives.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Uncle William, The Man who was Shif'less by Jennette Lee. This book is a reproduction of the original book published in 1908 and may have some imperfections such as marks or hand-written notes.

The Ibsen Secret: A Key To The Prose Dramas Of Henrik Ibsen by Jennette Lee is a comprehensive analysis of the works of the renowned Norwegian playwright, Henrik Ibsen. The book explores the themes, characters, and literary techniques used in Ibsen's prose dramas, providing readers with a deeper understanding of his writing.Lee delves into Ibsen's personal life and the historical context of his works, revealing how his experiences and the societal norms of his time influenced his writing. She also examines the symbolism and metaphors used in his plays, shedding light on the hidden meanings and messages within his works.The Ibsen Secret is an essential read for anyone interested in Ibsen's works, as well as those studying literature, drama, and theatre. Lee's analysis is both insightful and engaging, making this book an enjoyable and informative read for anyone looking to gain a deeper understanding of Ibsen's prose dramas.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Happy Island: A New Uncle William Story Andy was in the doorway, grinning a bunch of lobsters dangling from his hand, stretching frantic green legs into space. Andy looked down at them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Achilles Alexandrakis was arranging the fruit on his stall in front of his little shop on Clark Street. It was a clear, breezy morning, cool for October, but not cold enough to endanger the fruit that Achilles handled so deftly in his dark, slender fingers. As he built the oranges into their yellow pyramid and grouped about them figs and dates, melons and pears, and grapes and pineapples, a look of content held his face. This was the happiest moment of his day. Already, half an hour ago Alcibiades and Yaxis had departed with their pushcarts, one to the north and one to the south, calling antiphonally as they went, in clear, high voices that came fainter and fainter to Achilles among his fruit.

"Yes, I'm shif'less. I'm gen'ally considered shif'less," said William Benslow. He spoke in a tone of satisfaction, and hitched his trousers skilfully into place by their one suspender. His companion shifted his easel a little, squinting across the harbor at the changing light. There was a mysterious green in the water that he failed to find in his color-box. William Benslow watched him patiently. "Kind o' ticklish business, ain't it?" he said. The artist admitted that it was. "I reckon I wouldn't ever 'a' done for a painter," said the old man, readjusting his legs. "It's settin'-work, and that's good; but you have to keep at it steady-like-keep a-daubin' and a-scrapin' and a-daubin' and a-scrapin', day in and day out. I shouldn't like it. Sailin' 's more in my line," he added, scanning the horizon. "You have to step lively when you do step, but there's plenty of off times when you can set and look and the boat just goes skimmin' along all o' herself, with the water and the sky all round you. I've been thankful a good many times the Lord saw fit to make a sailor of me." The artist glanced a little quizzically at the tumble-down house on the cliff above them and then at the old boat, with its tattered maroon sail, anchored below. "There's not much money in it?" he suggested.

The soft wind of an Italian spring stirred among the leaves outside. The windows of the studio, left open to the morning air, were carefully shaded. The scent of mulberry blossoms drifted in. The chair on the model-stand, adjusted to catch the light, was screened from the glare; and the light falling on the rich drapery flung across its back brought out a dull carmine in the slender, bell-shaped flowers near by, and dark gleams of old oak in the carved chair. The chair was empty; but the two men in the studio were facing it, as if a presence were still there. The painter, sketching idly on the edge of his drawing-board, leaned back to survey the child's head that developed under his pencil. "She will not come this morning, then?" he asked almost indifferently. The older man shook his head. "She said not. She may change her mind." The painter glanced up quickly. He could see nothing in the face of the other, and he devoted himself anew to the child's head. "It does not matter," he said. "I can work on the background-if I feel like working at all," he added, after a moment's pause.

"Aunt Jane, what are you thinking of?" The young man turned his head a little on the pillow to look inquiringly toward the door. It was the door of Room 24 leading into the Men's Ward. Aunt Jane had been standing there for five minutes, gazing intently before her into space. The serene face framed in the white muslin cap had a rapt, waiting look. It reminded the young man of a German madonna that he had run across last summer in an old gallery corner, whose face had haunted him. "Aunt Jane, what are you thinking about?" he repeated gently. She turned slowly toward him, the placid look breaking into twinkles. "I was thinking I'd better turn Mr. Ketchell's mattress the other end to, and put a bolster under the upper end. It kind of sags." For a moment the young man on the pillow looked a little bewildered. Then he lay back and laughed till the iron bedstead rang and the men in the ward pricked up their ears and smiled in sympathy. Aunt Jane smiled too, stepping leisurely toward him. "There, there," she said as she adjusted the sheet and lowered his pillow a trifle: "I don't know as I'd laugh any more about that. 'Tisn't so very funny to change a mattress the other end to." He raised a hand and wiped the laughter from either eye. "But you looked as if you were thinking of angels and cherubim and things, Aunt Jane." She nodded placidly. "I generally do," she responded, "but that doesn't hinder knowing about mattresses and bolsters.... I wouldn't laugh any more for a day or two if I was you. The bandages might get loose." She slipped a careless hand along his forehead, gathered up a cup and plate from the stand beside him, and slid plumply from the room. His eyes followed her through the door, down the long ward as she stopped here and there for a word or a question. Once she raised her hand sternly at a bed and sniffed. The cap strings bristled fiercely.

The Chinese Coat is a novel written by Jennette Lee and first published in 1920. It tells the story of a young American woman named Mary who travels to China to teach English. While there, she becomes fascinated by the culture and customs of the Chinese people, particularly their traditional clothing. She becomes friends with a Chinese family and is given a beautiful silk coat as a gift. However, when she returns to America, she finds that her new coat is causing controversy and she is accused of cultural appropriation. The novel explores themes of cultural exchange, identity, and the challenges of navigating different cultures. It also provides a fascinating insight into Chinese culture and customs during the early 20th century. Overall, The Chinese Coat is a thought-provoking and engaging novel that raises important questions about cultural understanding and respect.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Taste of Apples is a novel written by Jennette Lee. The story revolves around a young woman named Mary, who is struggling to find her place in the world. Mary is a talented artist, but her passion for painting is overshadowed by her desire to please her family and conform to societal expectations. One day, while on a trip to the countryside, Mary meets a group of artists who introduce her to a new way of life. They encourage her to follow her dreams and pursue her art, even if it means going against her family's wishes. As Mary begins to embrace her true self, she also falls in love with a young man named John. However, their relationship is complicated by their different backgrounds and social statuses. Throughout the novel, Mary must navigate the challenges of following her heart while also staying true to her values and the people she loves. The Taste of Apples is a heartwarming and inspiring story about the power of self-discovery and the importance of staying true to oneself.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.