Bøger af Jeremy Siskind

Jazz Piano Fundamentals (Book 3) is master-teacher Jeremy Siskind's welcoming, clear, and detailed guide to modal and modern jazz piano study.Jazz Piano Fundamentals (Book 3) guides intermediate jazz students through the jazz piano world of artists like McCoy Tyner, Bill Evans, Chick Corea, Herbie Hancock, Brad Mehldau, Keith Jarrett, Geri Allen, Mulgrew Miller, and others by providing clear, thoughtful, and progressive lessons, improvisation exercises, rote exercises, written exercises, listening guides, transcription projects, and practice plans. Every unit includes frequently asked questions and exclusive video content to ensure that all subjects are presented clearly and with sufficient depth.Subjects include modal patterns, So What voicings, quartal voicings, cluster voicings, pentatonic voicings, upper structures, triad pairs, pentatonic improvising, modes of the major scale, modes of the melodic minor scale, planing, sidesteps, tonicizations, playing "out," free improvisation, odd meters, and more.In the six guided transcription projects, students are coached through completing their own transcriptions of solos by Miles Davis, Wayne Shorter, Kenny Kirkland, Chick Corea, Herbie Hancock, and Brad Mehldau. Then, they are shown how to assimilate elements of these masters' styles into their own improvisations.This book is designed to be used in conjunction with The Real Book, Volume 6.

Playing Solo Jazz Piano is an essential new book for creative jazz pianists. The second edition adds two new chapters and audiovisual content to the original. Readers will learn essential solo jazz piano concepts like stride piano, one-handed shell voicings, comping, using basslines, shared-hand voicings, leaving out the bass, and playing ballads. Plus, the book explores modern approaches to solo jazz piano including perpetual motion, counterpoint, and borrowing from classical music. With over 200 musical examples, references to over 100 jazz pianists, and numerous hands-on exercises, Playing Solo Jazz Piano is the perfect how-to for passionate, innovative pianists. " Jeremy has done a remarkable job of organizing the whole history of jazz piano in the book you now hold. It is concise and yet open-ended simultaneously. All of the important concepts and historical styles are here, and presented in a way that is thorough and that will also stimulate you to investigate, listen, experiment and have fun with the world of solo jazz piano.">"Jeremy Siskind's book takes solo pianistson a journey from basic concepts to a real musical conversation: between both hands, across jazz tradition, with textures and rhythms, counterpoint and new harmonies. There's a wealth of musical ideas here: how to efficiently practice, creatively delveinto a song, and musically tell a story.">" I've been waiting for this book! Jeremy Siskind presents a cogent and stimulating series of techniques and approaches to creative solo piano playing, rooted in the tradition while inviting both students and professionals to find their own voice and musical personality. The material is historically informed, well-organized, and specific, yet quite open-ended and fun to read and practice. Early and often, the book provides excellent guidance on how to develop the oft-neglected left hand. Finally, the lists of recommended recorded examples from the music's solo piano masters are an invaluable asset.">" Playing Solo Jazz Piano is an extraordinarily comprehensive text on a complex subject. Jeremy expertly covers a breadth of techniques and styles while introducing fresh concepts drawn from his own unique artistic experience. This book is an invaluable resource for the beginner and advanced student alike.">Author Jeremy Siskind is the student of Fred Hersch and the teacher of widely-hailed prodigy Justin-Lee Schultz. A top finisher in several national and international jazz piano competitions, Siskind is a two-time laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Besides a performance career in which he has been praised as "a genuine visionary" (Indianapolis Star) who "seems to defy all boundaries" (JazzInk), Siskind is an active teacher, including as a faculty member at Western Michigan University and Fullerton College. The author of over fifteen pedagogical books, Siskind chairs the Creative Track for the National Conference for Keyboard Pedagogy and serves as a regular clinician for Yamaha Music Education. He regularly travels too spread peace through music in places like Lebanon, Cyprus, Thailand, China, India, Colombia, and Tunisia with the organization Jazz Education Abroad.

"Fundamentos del Piano Jazz" es una guía clara y detallada de los primeros pasos para el estudio del piano jazz. Cada una de las doce unidades presenta lecciones, ejercicios, licks, actividades, guías de escucha y planes de práctica para una práctica organizada, productiva y creativa.Las lecciones guían paso a paso a los estudiantes hacia un dominio en la improvisación, símbolos de acordes, lectura de leadsheets, voicings, articulación y ritmo swing, acompañamiento, como tocar líneas de bajo, personalizar una melodía, el blues, bossa nova y mucho más. Cada unidad incluye también preguntas frecuentes y contenido audiovisual exclusivo para asegurar que cada tema sea presentado en profundidad y de forma clara. Este libro está diseñado para utilizarse en conjunto con el Real Book, Volumen 6. Recomendado para pianistas con conocimiento de todas las escalas mayores y la coordinación suficiente para tocar un Nocturno de Chopin o Invención de Bach.

Six miniatures for artist-level piano based on the poem "Ode to a Skylark," by Percy Shelley. The miniatures each take their names from lines from the poem: 1) "Pourest thy full heart...", 2) "The Pale Purple Even Melts...", 3) "The Moon Rains Out Her Beams..." 4) "Keen As Are the Arrows...", 5) "Panted Forth a Flood of Rapture..."

"Includes 26 original piano solos in progressive order"--Cover.

Nine artist-level etudes for solo piano. Pianists can either choose to play these pieces straight through as a classical piece; or they can study the "Optional Improvisation Instructions" and perform with improvised sections.