Bøger af Jerome J. McGann

Demonstrates the degree to which modernist styles are related to graphic and typographic design, to printed letters - 'black riders' on a blank page - that create language for the eye. This book sketches the relation of modernist writing to key developments in book design.

Includes essays that extend the author's investigations of the instability of the physical text. This title shows how various texts enters the world under socio-historical conditions that set the stage for a ceaseless process of textual development and mutation.

This book describes and explains the fundamental changes that are now taking place in the most traditional areas of humanities theory and method, scholarship and education.

Argues that contemporary language-oriented writing implies a marked change in the way we think about our poetic tradition on one hand and in the future of criticism on the other. This book focuses on Walter Benjamin and Gertrude Stein as important intellectual resources because both see the history of poetry as a crisis of the present.

Starting from a critical inquiry into specialised issues in editing, this work unfolds an argument for a general revaluation of the grounds of literary study as a whole. It argues that the theory of text must ground itself in a recovery of the entire productive/reproductive history of the text.

Adapting the discontinuous and multitonal critical procedures of works like Carlyle's "Sartor Resartus" and Laura Riding's "Anarchism Is Not Enough", this book subjects literary studies to a patacritical investigation. It argues that aesthetics is a science of exceptions, and that any given critical practice is also an exception from itself.