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This volume considers performance in its engagement with expanding Indian cities, with particular focus on festivals and performances in South India. It is themed around heritage, everyday life, and future ecologies, will be of great interest to students and scholars in performance, heritage studies, ecology, and art history.
A historical and ethnographic study of tarantism and pizzica, draws upon seven hundred years of writings about the ritual contributed by medical practitioners, scientists, travel writers and others. It investigates the contemporary revival of interest in pizzica music and dance as part of the 'neo-tarantism' movement.
What is the relationship between 'body' and 'mind', 'inner' and 'outer' in any approach to acting? How have different modes of actor training shaped actors' experiences of acting and how they understand their work? Phillip B. Zarrilli, Jerri Daboo and Rebecca Loukes offer insight into such questions, analysing acting as a psychophysical phenomenon and process across cultures and disciplines, and providing in-depth accounts of culturally and historically specific approaches to acting. Individual chapters explore: * psychophysical acting and the legacy of Stanislavsky* European psychophysical practices of dance and theatre* traditional and contemporary psychophysical approaches to performance in India and Japan* insights from the new sciences on the 'situated bodymind' of the actor* intercultural perspectives on actingThis lively study is ideal for students and practitioners alike.
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