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It's late at night, and all Jonah Stem wants to do is to get home and fall into bed. Working long hours as a medical student, he's seen enough drama - not to mention enough blood - for one day But when he hears a scream ring out in the darkness, and an injured woman is on her knees and begging for her life, Jonah finds himself drawn into a dangerous and irrevocable situation. And this situation means trouble. Jonah's intervention will change not only his own life, but also the lives of those he cares about, in ways he never thought possible.A heart-stopping thriller, masterfully told, Trouble is the story of what can happen when you find yourself in way over your head . . .
NEW YORK TIMES BESTSELLER *; A former star athlete turned deputy coroner is drawn into a brutal, complicated murder in this psychological thriller from a father-son writing team that delivers ';brilliant, page-turning fiction' (Stephen King). Natural causes or foul play? That's the question Clay Edison must answer each time he examines a body. Figuring out motives and chasing down suspects aren't part of his beatnot until a seemingly open-and-shut case proves to be more than meets his highly trained eye. Eccentric, reclusive Walter Rennert lies cold at the bottom of his stairs. At first glance the scene looks straightforward: a once-respected psychology professor, done in by booze and a bad heart. But his daughter Tatiana insists that her father has been murdered, and she persuades Clay to take a closer look at the grim facts of Rennert's life. What emerges is a history of scandal and violence, and an experiment gone horribly wrong that ended in the brutal murder of a coed. Walter Rennert, it appears, was a broken manand maybe a marked one. And when Clay learns that a colleague of Rennert's died in a nearly identical manner, he begins to question everything in the official record. All the while, his relationship with Tatiana is evolving into something forbidden. The closer they grow, the more determined he becomes to catch her father's killereven if he has to overstep his bounds to do it. The twisting trail Clay follows will lead him into the darkest corners of the human soul. It's his job to listen to the tales the dead tell. But this time, he's part of a story that makes his blood run cold.Praise for Crime Scene';You could drive yourself crazy trying to figure out who wrote what. . . . But whoever came up with the fine line, ';When I meet new people, they're usually dead,' should pat himself on the back.'The New York Times Book Review';A terrific book . . . Put Crime Scene at the top of your reading pile.'Bookreporter ';A character-driven, intricately plotted whodunit . . . Mystery readers will devour the book and look forward to the next father and son collaboration.'Press Republican
When the world's bestselling thriller writer, William de Vall e, disappears from his luxury yacht while sailing off the LA coast, his best friend and fellow writer Arthur Pfefferkorn decides to pick up where he left off. But little does Arthur know that this impulsive decision is about to change his life for ever...We want to tell you more about this novel. We wish we could explain how spectacular and absolutely unexpected it is; how it will burn itself onto your brain for ever. But the truth is we could never do it justice...The only way you'll understand it is to read it.
Things aren't going well for Joseph Geist. He's broke. His graduate school advisor won't talk to him. And his girlfriend has kicked him out of her apartment, leaving him homeless and alone. It's a tough spot for a philosopher to be in, and he's ready to give up all hope of happiness when an ad in the local paper catches his eye.'Conversationalist wanted', it reads. Which sounds perfect to Joseph. After all, he's never done anything in his life except talk. And the woman behind the ad turns out to be the perfect employer: brilliant, generous, and willing to pay him for making conversation. Before long, Joseph has moved in with her, and has begun to feel very comfortable in her big, beautiful house. So comfortable, in fact, that he would do anything to stay there-forever.
Ethan Muller is struggling to establish his reputation as a dealer in the cut-throat world of contemporary art when he is alerted to a once-in-a-lifetime opportunity: in a decaying New York slum, an elderly tenant has disappeared, leaving behind a staggeringly large trove of original drawings and paintings. Nobody can tell Ethan much about the old man, except that he came and went in solitude for nearly forty years, his genius hidden and unacknowledged. Despite the fact that, strictly speaking, the artwork doesn't belong to him, Ethan takes the challenge and makes a name for the old man - and himself. Soon Ethan has to congratulate himself on his own genius: for storytelling and salesmanship. But suddenly the police are interested in talking to him. It seems that the missing artist had a nasty past, and the drawings hanging in the Muller Gallery have begun to look a lot less like art and a lot more like evidence. Sucked into an investigation four decades cold, Ethan will uncover a secret legacy of shame and death, one that will touch horrifyingly close to home - and leave him fearing for his own life.
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