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The comic archetype of the Little Man - a "nobody" who stands up to unfairness - is central to the films of Woody Allen and Charlie Chaplin. Drawing on psychoanalysis and gender-studies, this book explores their films as barometers of their respective cultural moments, marking the shift between modernism and postmodernism.
This study pairs selected Irish and British women novelists, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. In the second wave, heterosexual romantic relationships come under scrutiny. In the third wave, Irish writers express the frustrations of their cultural identity.
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