Bøger af Joachim Raff

This collection of orchestral works by German-Swiss composer Joachim Raff includes four lively overtures inspired by the works of Shakespeare. Combining Romantic lyricism with vivid drama, they represent some of the most accessible and engaging pieces in Raff's oeuvre.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Title: Fest-Ouvertüre, Op. 117 Composer: Joachim Raff Original Publisher: Kistner The complete orchestral score to Joachim Raff's Fest-Ouvertüre as originally published in the first edition by Kistner in 1865. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.

Title: Suite No. 1 for Orchestra, Op. 101 Composer: Joachim Raff Original Publisher: Schott The complete orchestral score to Raff's Suite No. 1 for Orchestra, Op. 101, as originally published in the first edition by Schott in 1865. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The mazurka started life in the17C as a Polish dance of rustic regional origins and is said to have borrowed its distinctive accent on the weak beat of a measure from the Polish language itself. When Raff composed the Grande Mazurka, the form endured almost exclusively as a salon item and in this piece Raff perpetuated the practice laid down by composers such as Chopin for setting the mazurka in the high art music tradition,---Die Mazurka entstand im 17. Jahrhundert als polnischer Tanz bäuerlicher regionaler Herkunft und soll ihre markante Betonung auf dem unbetonten Schlag eines Taktes der polnischen Sprache selbst entliehen haben. Als Raff die Grande Mazurka komponierte, existierte die Form fast ausschliesslich als Salonstück und mit diesem Werk verfolgte Raff die von Komponisten wie Chopin entwickelte Praxis, der Mazurka auch einen Platz in der hohen Tradition der Kunstmusik einzuräumen.