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To praise Jane Austen's novels only as stylistic masterpieces is to strip them of the historical, cultural, and literary contexts that might otherwise illuminate them. By focusing on the text of "Persuasion", this title seeks to reconcile the so-called insignificance of her content with her high canonical status.
This book provides a concise introduction to Richardson, by combining a close reading of Pamela, Clarissa and Sir Charles Gerandison with a discussion of their central themes.
Jane Austen's Art of Memory offers a radical new thesis about Jane Austen's construction of her art. It argues that, with the help of her tenacious memory, she engaged in friendly dialogue with her predecessors, the English writers, a process that the eighteenth century called 'imitation'.
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