Bøger af Joe Bray

[headline]Examines Jane Austen's engagement with the broad range of artistic practices featured in her work Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games. [editor biographies]Joe Bray is Professor of Language and Literature at the University of Sheffield. He is the author of books and articles on fiction of the eighteenth and early nineteenth centuries, including The Language of Jane Austen (2018) and The Portrait in Fiction of the Romantic Period (2016). Hannah Moss works in the heritage industry. She completed her PhD at the University of Sheffield and is the co-editor of a special issue of the journal Women's Writingo on the topic of women writers and the creative arts in Britain, 1660-1830. She has also published articles on Germaine de Staël, Ann Radcliffe and Felicia Hemans.

Joe Bray's careful analysis of Jane Austen's stylistic techniques reveals that the genius of her writing is far from effortless; Subsequent chapters investigate and challenge the common critical associations of Austen's style with moral prescriptivism, ideas of balance and harmony, and literal as opposed to figurative expression.

Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, this title examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie.

This book argues that the way the eighteenth-century epistolary novel represented consciousness had a significant influence on the later novel, a view that had been largely ignored in most accounts of the development of the novel.

In the second half of the eighteenth century the female reader was a frequent topic of cultural debate and moral concern. This book examines the variety of ways in which women 'read' the social world in the late eighteenth and early nineteenth-century novel.