Bøger af Johann Christian Lobe

A collection of essays and articles by German music critic Johann Christian Lobe, originally published in the 1830s and 1840s. Lobe was known for his sharp wit and his uncompromising opinions on the state of music in Germany and Europe at the time. His essays cover a wide range of topics, from the operas of Mozart and Beethoven to the role of music in society and the influence of Italian and French music on German composers.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Das Buch ""Musikalische Briefe: Wahrheit �����ber Tonkunst und Tonk�����nstler"" wurde im Jahr 1860 von Johann Christian Lobe ver������ffentlicht. Es handelt sich um eine Sammlung von Briefen, die Lobe an verschiedene Personen aus der Musikwelt geschrieben hat. In diesen Briefen teilt er seine Ansichten und Meinungen zu verschiedenen Themen der Musik, wie z.B. der Musiktheorie, der Komposition und der Interpretation. Lobe war ein bekannter Musikkritiker und Komponist seiner Zeit und seine Briefe sind ein wichtiger Beitrag zur Musikgeschichte des 19. Jahrhunderts. Das Buch ist in deutscher Sprache verfasst und eignet sich f�����r alle, die sich f�����r die Geschichte der Musik und die Ansichten von Musikern und Kritikern vergangener Zeiten interessieren.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Der ""Katechismus Der Musik"" ist ein Buch, das 1881 von Johann Christian Lobe ver������ffentlicht wurde. Es ist ein umfassendes Handbuch, das sich mit allen Aspekten der Musik besch�����ftigt. Das Buch ist in drei Teile unterteilt: Der erste Teil behandelt die Musiktheorie, einschlie�����lich Harmonielehre, Kontrapunkt und Kompositionstechniken. Der zweite Teil besch�����ftigt sich mit der Geschichte der Musik von der Antike bis zur Gegenwart. Der dritte Teil ist eine Sammlung von musikalischen Beispielen und �����bungen, die den Lesern helfen sollen, ihre F�����higkeiten zu verbessern.Der ""Katechismus Der Musik"" ist ein wichtiges Werk f�����r Studenten, Lehrer und alle, die sich f�����r Musik interessieren. Es ist auch ein wertvolles Nachschlagewerk f�����r Musiker und Komponisten. Das Buch ist in deutscher Sprache verfasst und enth�����lt zahlreiche Illustrationen und Notenbeispiele. Es ist ein Klassiker der Musikliteratur und hat bis heute einen gro�����en Einfluss auf die Musikp�����dagogik und -theorie.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Johann Christian Lobe: Aus dem Leben eines Musikers Edition Holzinger. Taschenbuch Berliner Ausgabe, 2014, 3. Auflage Vollständiger, durchgesehener Neusatz bearbeitet und eingerichtet von Michael Holzinger Erstdruck: Leipzig (J.J. Weber) 1859. Textgrundlage ist die Ausgabe: Lobe, Johann Christian: Aus dem Leben eines Musikers. Leipzig: J. J. Weber, 1859. Herausgeber der Reihe: Michael Holzinger Reihengestaltung: Viktor Harvion Gesetzt aus Minion Pro, 11 pt.

Der ""Katechismus der Musik"" von Johann Christian Lobe, der erstmals 1881 ver������ffentlicht wurde, ist ein umfassendes Handbuch zur Musiktheorie und -praxis. Das Buch ist in Frage-und-Antwort-Form geschrieben und bietet eine Einf�����hrung in die Grundlagen der Musik, einschlie�����lich Notation, Rhythmus, Harmonie und Form. Es enth�����lt auch eine umfassende �����bersicht �����ber die Geschichte der Musik und wichtige Komponisten, sowie praktische Anleitungen zum Singen und Spielen von Instrumenten. Der ""Katechismus der Musik"" gilt als ein wichtiger Beitrag zur Musikp�����dagogik und wird noch heute als Referenzwerk genutzt.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Lehrbuch Der Musikalischen Komposition: Bd. Die Oper. 1867; Volume 4 Of Lehrbuch Der Musikalischen Komposition; Johann Christian Lobe Johann Christian Lobe Breitkopf und Härtel, 1867 Music; Instruction & Study; Composition; Composition (Music); Foreign Language Study / German; Music / Instruction & Study / Composition

""Lehrbuch der musikalischen Komposition V2"" ist ein Buch des deutschen Musikwissenschaftlers Johann Christian Lobe aus dem Jahr 1855. Es ist ein umfassendes Lehrbuch, das sich an angehende Komponisten richtet und ihnen die Grundlagen der Komposition vermittelt. Das Buch ist in zwei B�����nde unterteilt und behandelt Themen wie Harmonie, Kontrapunkt, Fuge, Formlehre und Instrumentation. Es enth�����lt zahlreiche Beispiele und �����bungen, um das Verst�����ndnis der Konzepte zu f������rdern. Das Werk gilt als ein wichtiges Standardwerk der Musiktheorie und Kompositionslehre und wurde in der Musikp�����dagogik weit verbreitet eingesetzt.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Catechism of Composition, written by Johann Christian Lobe in 1891, is a comprehensive guide to the art of musical composition. The book is divided into four parts, each of which covers a different aspect of composition. The first part focuses on the basics of composition, including the elements of melody, harmony, and rhythm. The second part delves deeper into the principles of counterpoint and fugue, while the third part explores the intricacies of form and structure in music. The final part of the book provides practical advice on the process of composition, including tips on how to develop musical ideas and how to write effectively for different instruments and voices. Throughout the book, Lobe provides numerous examples from the works of great composers, including Bach, Mozart, and Beethoven, to illustrate his points and give readers a sense of the possibilities of musical composition. The Catechism of Composition is a valuable resource for anyone interested in the art of music, from students and teachers to professional composers and performers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.