Bøger af Johann David Passavant

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Peintre-graveur: Les Ma�tres Allemands Et N�erlandais Du XVe. Si�cle; Volume 2 Of Le Peintre-graveur; Johann David Passavant Johann David Passavant, Adam von Bartsch, Jean Duchesne R. Weigel, 1860 Engravers; Engraving; Niello

Johann David Passavant offers a fascinating look at the art world of 19th century England through the eyes of a German artist. The book provides valuable insights into the works of great English painters such as Turner, Constable, and Reynolds, as well as lesser-known artists of the time. With beautiful illustrations and insightful commentary, Tour of a German Artist in England is a must-read for art lovers and historians alike.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Passavant's travelogue offers a fascinating glimpse into the art world of early nineteenth-century England. With descriptions of private galleries and assessments of the state of the art world, this book is a must-read for anyone interested in the history of art.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Tour of a German Artist in England V2: With Notices of Private Galleries, and Remarks on the State of Art (1836) is a book written by Johann David Passavant. It is a comprehensive account of the author's travels to England as a German artist, exploring the country's art scene and visiting private galleries. The book provides detailed descriptions of the artworks he encountered, including paintings, sculptures, and other forms of visual art. It also includes commentary on the state of art in England at the time, offering insights into the prevailing trends and styles. The book is a valuable resource for art historians and enthusiasts, providing a glimpse into the art world of 19th-century England from the perspective of a foreign artist.In Two Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Peintre-graveur, Volumes 3-4; Le Peintre-graveur; Johann David Passavant Johann David Passavant, Adam von Bartsch, Jean Duchesne R. Weigel, 1862 Art; Prints; Art / Prints; Engravers; Engraving; Niello

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Raphael D'Urbin Et Son Père, Giovanni Santi, Volumes 2-3; Raphael D'Urbin Et Son Père, Giovanni Santi; Johann David Passavant Johann David Passavant, Jules Lunteschutz, Paul Lacroix, P. L. Jacob Vve J. Renouard, 1860 Art; Individual Artist; Art / Individual Artist

Le livre ""Le Peintre Graveur V3 (1862)"" de Johann David Passavant est une �����uvre qui se concentre sur l'art de la gravure. Dans ce troisi�����me volume, l'auteur explore les �����uvres de graveurs c�����l�����bres tels que Albrecht D�����rer, Lucas van Leyden et Marcantonio Raimondi. Il examine �����galement l'histoire de la gravure, ainsi que les techniques et les outils utilis�����s pour cr�����er ces �����uvres d'art. Ce livre est une ressource pr�����cieuse pour les historiens de l'art, les artistes et les amateurs d'art qui souhaitent en savoir plus sur l'art de la gravure. Avec ses illustrations d�����taill�����es et ses informations compl�����tes, ""Le Peintre Graveur V3 (1862)"" est un ouvrage de r�����f�����rence essentiel pour tous ceux qui s'int�����ressent ������ l'art de la gravure.This Book Is In French.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Tour Of A German Artist In England: With Notices Of Private Galleries, And Remarks On The State Of Art, Volumes 1-2; Tour Of A German Artist In England: With Notices Of Private Galleries, And Remarks On The State Of Art; Johann David Passavant Johann David Passavant Sanders and Otley, 1836 Art; European; Art; Art / European; Painting

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Kunstrise Durch England Und Belgien: Nebst Einem Bericht Über Den Bau Des Domthurms Zu Frankfurt Am Main Johann David Passavant Siegmund Schmerber, 1833 Art; Painting

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Le Peintre-graveur: Histoire De La Gravure Sur Bois Et Sur Métal Jusque Vers La Fin Du XVIe. Siècle. Histoire De La Gravure Au Burin Jusque Vers La Fin Du XVIe. Siècle. Nielles; Volume 1 Of Le Peintre-graveur; Johann David Passavant Johann David Passavant, Adam von Bartsch, Jean Duchesne R. Weigel, 1860 Engravers; Engraving; Niello

Johann David Passavant offers a fascinating look at the art world of 19th century England through the eyes of a German artist. The book provides valuable insights into the works of great English painters such as Turner, Constable, and Reynolds, as well as lesser-known artists of the time. With beautiful illustrations and insightful commentary, Tour of a German Artist in England is a must-read for art lovers and historians alike.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.