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Bach's Sei Solo a Violino senza Basso accompagnato, the set of three Sonatas and three Partitas for unaccompanied violin, were completed by 1720. Perhaps seeded as early as 1703, they were ultimately fruits of his years employed as Kapellmeister at the court in Köthen where his employer Prince Leopold of Anhalt-Köthen, a Calvinist with little requirement for liturgical music and also a keen musician, encouraged Bach to write much instrumental music for public and private entertainment. Nothing written before approached the complexity, expressive range and scale of this music, from the volleys of chords and rhythmic intricacy of the B minor Partita's opening Allemanda>/i> and the endlessly inventive elaboration of the same work's variant 'doubles' to the vastness of the D minor Partita's concluding Ciaccona, possibly the longest stand-alone movement written to that point, which contains worlds of contrast in its 64 variants of the opening bars. Reportedly a fine violinist himself, Bach completely redefined virtuosic and expressive violinistic possibility in these works. This classic edition by Carl Flesch from Edition Peters provides a fascinating insight into the great virtuoso tradition of the early twentieth century. The score is presented as a parallel edition, with Flesch's edited score (containing numerous fingerings, bowings and performance directions) appearing above Bach's original.
In 1721 a 20-year-old soprano employed at the princely court in Kthen married the courts Kapellmeister, set to become the greatest composer of the age. As his second wife she married into a young family with four children, and a busy household filled with music. The music book that Johann Sebastian Bach presented to his new wife Anna Magdalena in 1722, and replaced more lavishly in 1725, treats us to a tantalizing glimpse inside this unique family, allowing us to sit beside Bach as a composer, teacher, husband and father. Over the years, these notebooks became a place for the family to share instructional exercises, favourite pieces
Perhaps the greatest of all works for the solo Cello. Bach's 6 Cello Suites BWV 1007-1012 edited by Hugo Becker.Suiten fÿr Violoncello solo BWV 1007â¿1012Vielleicht das groÃartigste aller Werke fÿr das Solo-Cello. Bachs 6 Cellosuiten BWV 1007-1012, herausgegeben von Hugo Becker.
Edition Peters presents the complete Flute Sonatas of J.S. Bach in two volumes. This second volume contains the Sonatas BWV 1033, 1034 and 1035 in an Urtext edition by Konrad Hampe. Cembalo (piano score) and separate flute part included. With a preface in English and German, and critical report.
An accurate transcription of Seconda Partita in D minor BWV1004 by J. S. Bachs autograph manuscript of 1720, kept in Staatsbibliothek Preussischer Kulturbesitz of Berlin. The transcription is faithful to the original, with an updated character graphic design, easy to read. CONTENTS Allemanda Corrente BWV 1004 Sarabanda BWV 1004 Giga BWV 1004 Ciaccona BWV 1004
New Edition after the Manuscript from 1723.
Bach's mighty 'Goldberg Variations', one of the greatest monuments of the entire keyboard literature, reveal the enormous power and range of his musical imagination and provide a lifetime's exploration. This classic Urtext edition provides an authoritative text in a binding designed for the practical musician.Aria mit verschiedenen Verÿnderungen BWV 998 Goldberg-Variationen fÿr KlavierBachs mÿchtige âGoldberg-Variationenâ, eines der gröÃten Denkmÿler der gesamten Klavierliteratur, offenbaren die enorme Kraft und Bandbreite seiner musikalischen Vorstellungskraft und bieten eine lebenslange Entdeckungsreise. Diese klassische Urtextausgabe bietet einen maÃgeblichen Text in einem fÿr den praktischen Musiker konzipierten Einband.
Bachs Suite No.1 is transcribed in this edition for solo saxophone by Jean-Marie Londeix. CONTENTS Prlude Allemande Courante Sarabande Menuet I Menuet Ii Gigue
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