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Between 1796 & 1800 Baron Peter von Braun, a rich businessman & manager of Vienna's court theaters, transformed his estate at Schonau into an English-style landscape park. The most celebrated building was the Temple of Night, a domed rotunda accessible only through a meandering rockwork grotto. A life-size statue of the goddess Night on a chariot pulled by two horses presided over the Temple, while from the dome, came the sounds of a mechanical musical instrument. Only the ruins survive, & the Temple has received little scholarly attention. This book brings it back to life by assembling the descriptions of it by early 19th-cent. eyewitnesses. "Will appeal to anyone interested in the history of garden design, arch., theater, & music." Illus.
Best-known as Mozart's envious nemesis, Antonio Salieri was actually among the leading opera composers of his age. This study seeks to restore Salieri's musical reputation, and identifies some orchestration, melodic style and form as distinctly "Salierian". It includes many excerpts from his works.
A concise anthology including a wide range of eighteenth-century music.
Presenting a fresh view of Mozart's achievements as a composer for the stage, John A. Rice considers Mozart's place in the operatic culture of his time. Linking the operas by topics, this book follows the processes that Mozart went through as he brought his operas from commission to performance.
This is the first book to be devoted to Mozart's opera, La clemenza di Tito. John Rice considers the opera from historical and critical viewpoints.
A study of the musical activities of Empress Marie Therese, one of the most important patrons in the Vienna of Haydn and Beethoven. Rice describes Marie Therese's activities as commissioner, collector and performer of music, and explores the rich musical culture that she fostered at court.
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