Bøger af John Aberth

Take a deep dive into understanding The Black Plague from all angles, from environmental to medical to religious as Black Death, The Great Mortality of 1348-1350 shares documents from multiple countries in order to create a complete picture of the impact of this sad event in history.

Contesting the Middle Ages is a thorough exploration of recent arguments surrounding nine hotly debated topics. It is essential reading for students of Medieval history and historiography.

Plagues in World History provides a concise, comparative world history of catastrophic infectious diseases, including plague, smallpox, tuberculosis, cholera, influenza, and AIDS. John Aberth considers not only their varied impact but also the many ways in which people have been able to influence diseases simply through their cultural attitudes. Our ability to alter disease, even without modern medical treatments, is even more crucial lesson now that AIDS, swine flu, multidrug-resistant tuberculosis, and other seemingly incurable illnesses have raged worldwide. The author''s comparative analysis of how different societies have responded in the past to disease illuminates what cultural approaches have been and may continue to be most effective in combating the plagues of today.

"Simultaneously published in the USA and Canada"--T.p. verso.

This engrossing book provides a comprehensive history of the medical response to the Black Death. John Aberth has translated plague treatises that illustrate the human dimensions of the horrific scourge, including doctors' personal anecdotes as they desperately struggled to understand a deadly new disease.

Describes how the lives of ordinary people in the Middle Ages were transformed by a series of crises. This book also shows how cultural assumptions, including a belief in the apocalypse, gave people an ability to face up positively to these problems.

An unprecedented examination of the historical content of films depicting the medieval period from the 11th to the 15th centuries. Historians increasingly feel the need to weigh in on popular depictions of the past, since so much of the public's