Bøger af John Addington Symonds

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Renaissance In Italy: The Revival Of Learning, Part 2; Renaissance In Italy: The Revival Of Learning; John Addington Symonds John Addington Symonds Smith, Elder, 1897

This Is A New Release Of The Original 1884 Edition.

The Autobiography of Benvenuto Cellini is a classic memoir written by the renowned Italian artist and goldsmith Benvenuto Cellini. The book was translated into English by John Addington Symonds and is considered one of the most important autobiographical works of the Renaissance period. The book provides a detailed account of Cellini's life, from his early years as an apprentice goldsmith in Florence to his later years as a respected artist in Rome. Throughout the book, Cellini shares his experiences with art, politics, and personal relationships, providing a unique and intimate glimpse into the life of a Renaissance artist. Cellini's autobiography is also notable for its vivid descriptions of the artistic process, including his techniques for casting bronze and creating intricate designs in gold and silver. The book also includes several anecdotes about famous artists and patrons of the time, such as Michelangelo and Pope Clement VII. Overall, The Autobiography of Benvenuto Cellini is a fascinating and insightful look into the life and work of one of the most talented and influential artists of the Renaissance period.The gentlewoman, also slightly blushing, said: You know well that I want you to serve me; and reaching me the lily, told me to take it away; and gave me besides twenty golden crowns which she had in her bag, and added: Set me the jewel after the fashion you have sketched, and keep for me the old gold in which it is now set. On this the Roman lady observed: If I were in that young mans body, I should go off without asking leave. Madonna Porzia replied that virtues rarely are at home with vices, and that if I did such a thing, I should strongly belie my good looks of an honest man.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Last And First, 2 Essays: The New Spirit And Arthur Hugh Clough John Addington Symonds

Shelley, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures English literature

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Percy Bysshe Shelley, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

1893. With portrait and four illustrations. A study of Walt Whitman, who is considered by many to be the greatest of all American poets, by Symonds who, himself, was in the forefront of the bourgeois radical men and women with socialist ideals who were destined to reform public opinion in the 1890s. Whitman's poetry celebrates the freedom and dignity of the individual and sings the praises of democracy and the brotherhood of man. Leaves of Grass, Whitman's most famous work, is unconventional in both content and technique and probably the most influential volume of poems in the history of American literature. See other titles by this author available from Kessinger Publishing.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a new release of the original 1930 edition.

John Addington Symonds 5 October 1840 - 19 April 1893) was an English poet and literary critic. Although he married and had a family, he was an early advocate of male love (homosexuality), which he believed could include pederastic as well as egalitarian relationships. He referred to it as l'amour de l'impossible (love of the impossible). A cultural historian, he was known for his work on the Renaissance, as well as numerous biographies about writers and artists. He also wrote much poetry inspired by his homosexual affairs.ohn Symonds was born at Bristol, England in 1840. His father, the senior John Addington Symonds, M.D. (1807-1871), was the author of Criminal Responsibility (1869), The Principles of Beauty (1857) and Sleep and Dreams. Considered delicate, the younger Symonds did not take part in games after age 14 at Harrow School, and he showed no particular promise as a scholar.

John Addington Symonds 5 October 1840 - 19 April 1893) was an English poet and literary critic. A cultural historian, he was known for his work on the Renaissance, as well as numerous biographies of writers and artists. Although he married and had a family, he was an early advocate of male love (homosexuality), which he believed could include pederastic as well as egalitarian relationships, referring to it as l'amour de l'impossible (love of the impossible).He also wrote much poetry inspired by his homosexual affairs.Symonds was born at Bristol, England in 1840. His father, the senior John Addington Symonds, M.D. (1807-1871), was the author of Criminal Responsibility (1869), The Principles of Beauty (1857) and Sleep and Dreams. Considered delicate, the younger Symonds did not take part in games after age 14 at Harrow School, and he showed no particular promise as a scholar. Symonds's mother died when he was only four years old, and his father had a powerful influence upon the formation of his character. The fashionable Freudian theory that a man's homosexuality is caused by a close-binding-intimate mother and a weak-or-absent father is put to rout by Symonds's childhood, in which the opposite was the case.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Renaissance In Italy: The Fine Arts is a book written by John Addington Symonds in 1882. The book is a comprehensive study of the fine arts during the Renaissance period in Italy. The author explores the various art forms that flourished during this time, including painting, sculpture, architecture, and music. He delves into the cultural and historical context that gave rise to these art forms, and the ways in which they reflected the values and beliefs of the people of the time.Symonds also examines the lives and works of some of the most notable artists of the Renaissance, including Michelangelo, Leonardo da Vinci, and Raphael. He explores their techniques, styles, and influences, and provides detailed analyses of some of their most famous works.Throughout the book, Symonds emphasizes the importance of the Renaissance as a period of great cultural and artistic achievement, and as a turning point in the history of Western civilization. He argues that the Renaissance represented a break from the medieval past, and a new era of humanism, intellectual inquiry, and artistic expression.Overall, Renaissance In Italy: The Fine Arts is a rich and insightful exploration of one of the most important periods in the history of art and culture. It is a must-read for anyone interested in the Renaissance, the fine arts, or the history of Western civilization.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

John Addington Symonds 5 October 1840 - 19 April 1893) was an English poet and literary critic. A cultural historian, he was known for his work on the Renaissance, as well as numerous biographies of writers and artists. Although he married and had a family, he was an early advocate of male love (homosexuality), which he believed could include pederastic as well as egalitarian relationships, referring to it as l'amour de l'impossible (love of the impossible).He also wrote much poetry inspired by his homosexual affairs.Symonds was born at Bristol, England in 1840. His father, the senior John Addington Symonds, M.D. (1807-1871), was the author of Criminal Responsibility (1869), The Principles of Beauty (1857) and Sleep and Dreams. Considered delicate, the younger Symonds did not take part in games after age 14 at Harrow School, and he showed no particular promise as a scholar. Symonds's mother died when he was only four years old, and his father had a powerful influence upon the formation of his character. The fashionable Freudian theory that a man's homosexuality is caused by a close-binding-intimate mother and a weak-or-absent father is put to rout by Symonds's childhood, in which the opposite was the case. Admittedly there were mostly women in the household, governesses, aunts, and eventually four sisters, but he records no sense of being overwhelmed by the feminine atmosphere, and was fairly indifferent to their presence. In January 1858 Symonds received a letter from his friend Alfred Pretor (1840-1908), telling of Pretor's affair with their headmaster, Charles John Vaughan. Symonds was shocked and disgusted, feelings complicated by his growing awareness of his own homosexuality. He did not mention the incident for more than a year until, in 1859 and a student at Oxford University, he told the story to John Conington, the Latin professor. Conington approved of romantic relationships between men and boys. He had earlier given Symonds a copy of Ionica, a collection of homoerotic verse by William Johnson Cory, the influential Eton College master and advocate of pederastic pedagogy. Conington encouraged Symonds to tell his father about his friend's affair, and the senior Symonds forced Vaughan to resign from Harrow. Pretor was angered by the younger man's part and never spoke to Symonds again.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Renaissance In Italy, Volume 1; Renaissance In Italy; John Addington Symonds John Addington Symonds Smith, Elder, 1898 Art, Italian; Humanism; Italian literature; Italy; Renaissance

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Renaissance In Italy: The Age Of The Despots. V. 2. The Revival Of Learning. V. 3. The Fine Arts. V. 4. Italian Literature, Pt. 1-2; Volume 1 Of Renaissance In Italy; John Addington Symonds John Addington Symonds Holt, 1888 Art; Humanism; Italian literature; Italy; Renaissance

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Last and First, Being Two Essays, The New Spirit and Arthur Hugh Clough by John Addington Symonds. This book is a reproduction of the original book published in 1919 and may have some imperfections such as marks or hand-written notes.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.