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Wes Anderson is now seen as one of America's greatest and most stylistic filmmakers. With movies like The Fantastic Mr. Fox, The Grand Budapest Hotel, Moonrise Kingdom, and The Darjeeling Limited, Anderson has solidified his place among the best and brightest of contemporary filmmakers.Anderson's early films, the films that rocketed him to stardom, are often written about separately and in contrast to his later films, in Fucking Innocent, John Andrew Frederick, who has taught Anderson's early work at the University of Southern California, examines his three earliest films and discusses each individually and as the burgeoning of the art of one of most talented of American directors. Frederick's criticism looks at Bottle Rocket, Rushmore, and The Royal Tennenbaums in this fun and sharp critique.
Set in Los Angeles in the early 90s, the novel chronicles the early days of an indie band as they meet, practice, make their first record, and get their first break/big gig. It's also the story of the the flowering love affair between John and Jenny, the two charming if troubled guitarists/singers in the band. John is by day a misanthropic substitute teacher in the zany, sometimes horrific LA Unified School District; Jenny is an mysterious recovering child prodigy. Along the way, the couple and their bandmates make momentous discoveries about themselves and the Hollywood milieu in which they struggle to succeed, a world peopled by narcissistic actors, wannabe screenwriters, pretentious musicians, weirdo fans, crazy neighbors -- and an emu. "The King of Good Intentions" was originally to have been published by Henry Rollins's 2.13.61 press in 1999. When Rollins decided henceforth to publish only his own work, Fredrick set the novel aside to focus on his musical and teaching career. Now it will finally make its long overdue debut.
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