Bøger af John Berryman

Large language models (LLMs) are revolutionizing the world, promising to automate tasks and solve complex problems. A new generation of software applications are using these models as building blocks to unlock new potential in almost every domain, but reliably accessing these capabilities requires new skills. This book will teach you the art and science of prompt engineering-the key to unlocking the true potential of LLMs. Industry experts John Berryman and Albert Ziegler share how to communicate effectively with AI, transforming your ideas into a language model-friendly format. By learning both the philosophical foundation and practical techniques, you'll be equipped with the knowledge and confidence to build the next generation of LLM-powered applications. Understand LLM architecture and learn how to best interact with it Design a complete prompt-crafting strategy for an application Gather, triage, and present context elements to make an efficient prompt Master specific prompt-crafting techniques like few-shot learning, chain-of-thought prompting, and RAG

The Right Time, a classical book, has been considered essential throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

Modus Vivendi, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

A brilliant and fiercely pitched sonnet cycle about love: at once passionate, forbidden, and doomed John Berryman was an unconventional poet, but he must have surprised even himself when, in his thirties, he found he was suddenly compelled to write sonnets. It was an unusual choice-even an unpopular one-for a poet in a midcentury American literary scene that was less interested in forms. But it was the right choice, for Berryman found himself in a situation that called for the sonnet: after several years of a happy marriage, he had fallen helplessly, hopelessly in love with the young wife of a colleague. "Passion sought; passion requited; passion delayed; and, finally, passion utterly thwarted": this is how the poet April Bernard, in her vivid, intimate introduction, characterizes the sonnet cycle, and it is the cycle that Berryman found himself caught up in. Of course the affair was doomed to end, and end badly. But in the meantime, on the page Berryman performs a spectacular dance of tender, obsessive, impossible love in his "characteristic tonal mixture of bravado and lacerating shame-facedness." Here is the poet as lover, genius, and also, in Bernard's words, as nutcase. In Berryman's Sonnets, the poet draws on the models of Petrarch and Sidney to reanimate and reimagine the love-sonnet sequence. Complex, passionate, filled with verbal fireworks and the emotional strains of joy, terror, guilt, and longing, these poems are ripe for rediscovery by contemporary readers.

A lively sampling from the work of one of the most celebrated and daring poets of the twentieth centuryJohn Berryman was perhaps the most idiosyncratic American poet of the twentieth century. Best known for the painfully sad and raucously funny cycle of Dream Songs, he wrote passionately: of love and despair, of grief and laughter, of longing for a better world and coming to terms with this one. The Heart Is Strange, a new selection of his poems, along with reissues of Berryman's Sonnets, 77 Dream Songs, and the complete Dream Songs, marks the centenary of his birth. The Heart Is Strange includes a generous selection from across Berryman's varied career: from his earliest poems, which show him learning the craft, to his breakthrough masterpiece, "Homage to Mistress Bradstreet," then to his mature verses, which find the poet looking back upon his lovers and youthful passions, and finally, to his late poems, in which he battles with sobriety and an increasingly religious sensibility. The defiant joy and wild genius of Berryman's work has been obscured by his struggles with mental illness and alcohol, his tempestuous relationships with women, and his suicide. This volume, which includes three previously uncollected poems and an insightful introduction by the editor Daniel Swift, celebrates the whole Berryman: tortured poet and teasing father, passionate lover and melancholy scholar. It is a perfect introduction to one of the finest bodies of work yet produced by an American poet.

This volume represents the first appearance in paperback of one of America's most outstanding poets, John Berryman. It contains, besides the long title poem, Homage to Mistress Bradstreet, the major portion of Short Poems; a selection from The Dispossessed, which drew on two earlier collections; some poems from His Thought Made Pockets & The Plane Buckt; and one poem from Sonnets."It seems to me the most distinguished long poem by an American since The Waste Land." - Edmund Wilson

This volume brings together all of Berryman's poetry, except for his epic The Dream Songs, ranging from his earliest unpublished poem (1934) to those written in the last months of his life (1972). A definitive edition of one of America's most distinguished poets.

Der er ingen digter, der lyder som John Berryman lyder i hans 77 Drømmesange. Han er en undergrundsdigter, der har opfundet en ny slags digtning. I 1965, da han var halvtreds, modtog han Pulitzerprisen i poesi for sin vovede samling, og blot syv år senere, i Minneapolis, hoppede han i døden fra Washington Avenue Bridge ned på Mississippiflodens is. Berryman tilhørte den nye generation af digtere, der brød frem i 1940’erne, som inkluderede Robert Lowell, Sylvia Plath, Theodore Roethke og Delmore Schwartz. Som sine forgængere, skrev han stærke, intelligente digte, men han følte sig ikke længere beslægtet med T.S. Eliots upersonlige stemme. I stedet behandlede hans digte erfaring, ofte på kanten af opløsning og sammenbrud. I 77 Drømmesange fandt Berryman en løsere stil, som blandede høje og lave stilarter med en mærkelig syntaks i en caudatus-sonet bestående af 3 6-linjede strofer.

John Berryman was an energetic correspondent. Assembled here for the first time, his letters tell of generosity, ambition, and struggle. He has encouraging words for fellow poets and younger writers and is deeply engaged in literary culture. But also visible are the struggles of a working artist grappling with alcoholism and depression.

77 cantos del sueño, será adonde le lleva a John Berryman, la búsqueda del fantasma de su padre (se suicidó cuando Berryman sólo tenía 12 años) y donde más obvia sea la presencia del mismo: un alucinado discurso donde el autor aborda el alcoholismo, las pesadillas, la violencia física y verbal, el egoísmo, las crisis nerviosas, la lujuria, el deseo desmedidos, las infidelidades y un perenne sentimiento de culpa abandono.Comenzado en 1955, se publicaría en 1964 para al año siguiente recibir el Premio Pulitzer, situando a Berryman como uno de los poetas más importantes de la década.

John Berryman's Dream Songs are perhaps the funniest, saddest, most intricately wrought cycle of poems by an American in the twentieth century. This title collects 77 Dream Songs, which won Berryman the Pulitzer Prize in 1965, and their continuation, His Toy, His Dream, His Rest, which won the National Book Award and the Bollingen Prize in 1969.

This newly revised and greatly expanded edition of Ezra Pound's Selected Poems is intended to articulate Pound for the twenty-first century. Gone are many of the "stale creampuffs" (as Pound called them) of the 1949 edition. Instead, new emphasis has been laid on the interpenetration of original composition and translation within Pound's career. New features of this edition include the complete "Homage to Sextus Propertius" in its original lineation, early translations from Cavalcanti, Heine, and the troubadours, as well as late translations of Sophocles, and the Confucian Odes.As a lifelong expatriate, Pound parceled out his work to a variety of journals in England, America, France, and Italy. This new edition takes account of this complex publishing history by giving the poems in the chronological order of their original magazine publication. We can observe Pound as he first emerges onto the literary scene in the pages of Ford Madox Ford's English Review and Harriet Monroe's Chicago-based Poetry, and then as an agent provocateur for the avant-garde Little Review, Blast, and The Dial.Unlike all previous selections, this volume provides annotation to all the early poems as well as a running commentary on the later Cantos - indispensable to any reader wanting to follow Pound on his epic odyssey through ancient China, medieval Provence, the Italian Renaissance, the early American Republic, and the darkness of the twentieth century. The editor, Richard Sieburth, provides a chronology of Pound's life, a new preface, and an informative afterword, "Selecting Pound." Also included in the appendix are T. S. Eliot's and John Berryman's original introductions to Pound's Selected Poems.

Faber are pleased to announce the relaunch of the poetry list - starting in Spring 2001 and continuing, with publication dates each month, for the rest of the year. This will involve a new jacket design recalling the typographic virtues of the classic Faber poetry covers, connecting the backlist and the new titles within a single embracing cover solution. A major reissue program is scheduled, to include classic individual collections from each decade, some of which have long been unavailable: Wallace Stevens's Harmonium and Ezra Pound's Personae from the 1920s; W.H. Auden's Poems (1930); Robert Lowell's Life Studies from the 1950s; John Berryman's 77 Dream Songs and Philip Larkin's The Whitsun Weddings from the 1960s; Ted Hughes's Gaudete and Seamus Heaney's Field Work from the 1970s; Michael Hofmann's Acrimony and Douglas Dunn's Elegies from the 1980s. Timed to celebrate publication of Seamus Heaney's new collection, Electric Light, the relaunch is intended to re-emphasize the predominance of Faber Poetry, and to celebrate a series which has played a shaping role in the history of modern poetry since its inception in the 1920s.

In this series, contemporary poets select and introduce a poet of the past who they have particularly admired. By their selection and personal and critical reactions, they offer an insight into their own work, as well as providing an introduction to some of the greatest poets in history.