Bøger af John Brady McDonald

John Brady McDonald, MBSFA, a Nêhiyawak-Métis multidisciplinary artist and writer from Treaty Six Territory in Saskatchewan, Canada, is an award-winning author of multiple books who has presented at literary festivals around the world. Before all this, however, he was a young, urban Indigenous youth, struggling with addictions, the streets, and the pain and turmoil of intergenerational trauma as a residential school survivor and the child of residential school survivors.These raw, lyrical poems are a glimpse of the birth of a poet, recklessly using language and words with abandon and without restraint. It is the poetry of an individual experimenting with the language, mixing the influences of Shakespeare and Jim Morrison with the teenage-Goth writing style of youth-the base metals from which a lifetime of words was forged.Originally published by Kegedonce Press in 2004, The Glass Lodge was presented across Canada and the United States at esteemed festivals. Chosen for the First Nations Communities Read program, it was also nominated for the Anskohk Aboriginal Book of the Year in 2005.Now, here is that seminal work in a brand-new edition, re-edited and restored, illustrated with images of many of the original, handwritten poems, and with author's notes providing frank, fascinating insight into what gave rise to each of these verses: the outpouring of language that marked the birth of a remarkable writer.

For over twenty years, John Brady McDonald's day job has been working with youth. Over half of that time was spent as a Frontline Youth Outreach Worker on the streets of Prince Albert, Saskatchewan. During that time, John would write down his thoughts and feelings on scraps of paper and in little black hardcover notebooks, chronicling the struggles and traumas of the youth he worked with and which he himself had also experienced. Never being quite the right fit for his other poetry books, John took these poems and hid them away for years, until now. Recently rediscovered in his archives, John has compiled them, using a 54-year-old typewriter, into a work which gives voice to the experiences and resilience of those youth, along with his own experiences, thoughts and recollections of a poet in the midst of a turbulent moment in time amongst the concrete and asphalt of the city.