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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
The Inspiration and Authority of the Bible is a book written by John Clifford and first published in 1892. The book explores the concept of biblical inspiration and its role in shaping the authority of the Bible. Clifford argues that the Bible is not simply a collection of historical documents, but rather a divinely inspired text that holds ultimate authority for Christian belief and practice. The book is divided into three parts. The first part provides an overview of the history of biblical interpretation and the various theories of inspiration that have been proposed over time. The second part examines the nature of biblical inspiration and the ways in which it is expressed in the text. The third part focuses on the authority of the Bible and its role in shaping Christian theology and practice.Throughout the book, Clifford draws on a wide range of theological and philosophical sources to support his arguments. He emphasizes the importance of a nuanced understanding of inspiration and the need for careful interpretation of the Bible in order to fully appreciate its authority. Overall, The Inspiration and Authority of the Bible is a thought-provoking exploration of one of the most fundamental questions in Christian theology. It is a valuable resource for anyone seeking to deepen their understanding of the Bible and its place in the Christian faith.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
A talented young dancer and his brilliant teacherIn this long-awaited memoir, dancer and choreographer John Clifford offers a highly personal look inside the day-to-day operations of the New York City Ballet and its creative mastermind, George Balanchine. Balanchine's Apprentice is the story of Clifford-an exceptionally talented artist-and the guiding inspiration for his life's work in dance. Growing up in Hollywood with parents in show business, Clifford acted in television productions such as The Danny Kaye Show, The Dinah Shore Show, and Death Valley Days. He recalls the beginning of his obsession with ballet: At age 11 he was cast as the Prince in a touring production of The Nutcracker. The director was none other than the legendary Balanchine, who would eventually invite Clifford to New York City and shape his career as both a mentor and artistic example. During his dazzling tenure with the New York City Ballet, Clifford danced the lead in 47 works, several created for him by Balanchine, Jerome Robbins, and others. He partnered famous ballerinas including Gelsey Kirkland and Allegra Kent. He choreographed eight ballets for the company, his first at age 20. He performed in Russia, Germany, France, and Canada. Afterward, he returned to the West Coast to found the Los Angeles Ballet, where he continued to innovate based on the Balanchine technique.In this book, Clifford provides firsthand insight into Balanchine's relationships with his dancers, including Suzanne Farrell. Examining his own attachment to his charismatic teacher, Clifford explores questions of creative influence and integrity. His memoir is a portrait of a young dancer who learned and worked at lightning speed, who pursued the calls of art and genius on both coasts of America and around the world.
Hatfield witnessed the early years of aviation, hosted flying clubs and air races, and produced iconic aircraft while peace lasted
Premiered at the 1991 Edinburgh Festival, this play arose from the extended visit John Clifford made to India. The play opens with the goddess Kali addressing the audience in a broad Scots accent and moves on to present a parable about a poor Indian family and their corrupt masters.
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