Bøger af John Ernest

This is a nasty book by a real loser writer. Yes, this book has a poem for each day of Trump's third year in office--but the poems are critical, nasty. Many people are saying that this book is a traitor and should be impeached.

It became a kind of game-trying to identify the new low for Trump and stating confidently that there was no way he or anyone else could go any lower. Trump apparently took this as a challenge. By the end of his fourth year, hundreds of thousands of Americans were dead, the president of the United States had incited an insurrection, and many politicians and media figures had stripped themselves of whatever remaining vestige of dignity or character they might once have claimed. Or, as Trump put it, he won, and by a lot. But the fight was not over, guided by a lone poet standing strong at the edges of the country that was once America, a lone figure rising from the shadows, deploying bad poems daily in a struggle for America's soul that many people are saying is the last great movie that Clint Eastwood never made. You can read those poems and follow that great battle. They're in this book, but the battle is in your heart. So buy the book, take some antacids, and settle in to a day-by-day review of Trump's last year in office. Turns out he lost, and by a lot. These poems prove it.

The smocking hot second year of the Orange Toddler Poems--one poem for each day that our so-called president has been in office. Are these great poems? Hey, is Donald Trump a great president? This is your chance to linger over each day's step into ever-deeper despair, to follow the fall of the United States, to keep yourself busy while waiting for the end of the world. Written in collusion with failed Russian poets in a secret meeting in Trump Tower, these are the poems for our times, poems for the end times, poems barely worth reading that capture exactly what the Trump era is all about. Read 'em and weep.

The story of the US was recorded by white historians; early-19th-century African American writers had to piece together a counterhistory to present the necessity of and the means for the liberation of the oppressed. This title shows they created a body of writing in which the spiritual, the historical and the political are inextricably connected.

Contends that too often scholars have relied on naive concepts of race, superficial conceptions of African American history, and the marginalization of important strains of black scholarship. This book offers principles of justice that grant fragmented histories, partial recoveries, and still-unprinted texts the same value as canonized works.