Bøger af John Fraser

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

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In Down from the Stars, John Fraser's latest speculative novel, an assistant to a distinguished astrophysicist, is tormented by the fate of the Soviet space dog, Laika, incinerated above the earth. Losing the confidence of his master, and losing his girlfriend, he is increasingly drawn into local political life. Having an affinity with the arts, he becomes responsible for the policy of art tourism, which, with organised crime, is the speciality of the place. After many adventures and disasters, and growing complicity with criminality, a new boss forces him and his associates to leave. Destitute, and disillusioned with science and art, he makes an approach to nature, visiting an African wildlife lodge. He is joined by an associate, a former dancer. Together, he decides, they will rise again, and resume their destinies as 'stars.'

John Fraser latest novel is about Life: - mysteries and chance, how it seems impossible to make a philosophy from a mixture of what is determinate and universal, and what is invention and potential - and then, how to botch up some plan for living in this uncertainty, cf. Petronius a celebrated author with no book extant, debauché, fine administrator, accused of treachery, forced to commit suicide by Nero.Every human has an ancestry that goes way back - to Creation? Very far, at any rate. The protagonist's name, Petronia, recalls that of the old Roman Petronius - he of the banquets and orgies, trusted administrator, forced to commit suicide by Nero on fake charges of treachery. Author of a book of satires never found, maybe never written. Petronia has no link with him, that life, but modern life affords its parallels. So, why do things happen? Some good, some bad - how and why? A mysterious voyage is offered, taken on the spur: what lies beneath? How, afterwards, to live, to make more voyages, penetrate more mysteries and one's part in them? Plots and spying, manipulative friends and their catastrophies, abundant disappearances and all-too-evident deaths - enmesh her deeper and reluctantly in a grandiose scheme to partition the world - wars and consolidations - on, even to the universe. The prospect is alarming. She twists and turns - there are orgies, the underground, the upward climb - everything to find out why? Why does it happen, what does it signify, where does her feeble contribution come in? She's lucky. Much of the mystery is given an explanation. The more she knows, the deeper the mystery becomes ... Musée

Think Zen and the Art of Spending the Night in a Haunted House, a celebration of the dream of finding something undiscovered and different.

Everyone is a part-time person. They do one thing while imagining being elsewhere, or being a lover, worker, fan - of something - or in some other life. We hope for a resolution, a better place, where the bad parts can be discarded, the good ones realised. In PARADISE, we are plunged into ever-deeper contradictions, separations: by nature a deserter, a pacifist, Harri is enrolled, becomes a soldier - becomes literally someone else. As a batman, he can fly - along with his superiors, with lovers who fly higher, outdistance him or, fatally, hit the ground.After many adventures, Harri finds himself in the midst of a squalid conflict. He is adviser, but also mediator. Making peace is advantageous: economically, there's the re-build. Politically, there's prestige for the new leaders. The ploy of war can be made profitable. Unfortunately - he has no ambition, whereas his temporary partners have an excess of it. In the end, he witnesses the magic inherent in humanity, which leads it to destruction, or to mediocrity. Paradise lost, or indefinitely postponed?

The Magnificent Wurlitzer is a modern epic, its theme that of the 'guilty Faust' on a fantastic, grotesque journey seeking his truth, his Mephistopheles. Its hero James (aka Jay, Jayman, Hopper) treads in the traces of epics from East and West, Gilgamesh, the Ramayana, Götterdämmerung, from jazzman to shaman, sliding from music and religion to seeking order where there can be none, to politicking and leadership of the virtual and the voiceless.Wurlitzer is the machine that plays all music in its own sweet way. It is creation, innovation, improvisation - a farrago-medley of beauty and bad taste. It is also the nickname of the CIA - Intelligence, politicking, stabs in the dark, secret things, codified meanings. The book plays off the crisis of modernism, its slippage into postmodernism, where anything goes and nothing moves, against its critique of the heartland, of Modernity, which is both sharp as an axe and malleable as clay. Modernisation brings the four horsemen of the apocalypse, drinkable tapwater, the Russian Revolution, the Internet and the Crash.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This Is A New Release Of The Original 1887 Edition.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

TRUE STORIES - three stories of modern life by John Fraser.True Stories poses the question: What is modern life? Struggling with bureaucracy, getting on, and off, lists? The protagonist, Kochi, and his young - then much older - friends, engage with love, philosophy ... the murder of a lover by the mother of a socialite, the centre of the hero's attention: and her reprisal. We follow them, their adventures, the search for the Great Principle, embodied by a fragile ancient, who dosses down and dies on his first night in Kochi's dwelling.Think, says the Master, but no life seems lived by Thinking. There are wildfires, concealed well-shafts, a flight by sea: happenstance determined histories. Eventually, in a declining night-club, the protagonist finds clues, a divan to sleep on, even work. All human knowledge is examined by Kochi and his new partner, the dancer, Jahan. Knowledge at last? Maybe ... The hero, Kochi, leaves by night, seeking a new adventure.Clap Your Hands traces the search for a relationship, taking us from a truncated marriage to Russia, passing through Trabzon in Turkey - the hero caged and dispatched like an exotic bird, and ending in refuge on the Danube's mouth.Smoke addresses the end of life - the narrator's, recalling his youth and his first objectives, the goals to be reached, the satisfaction to be enjoyed - entrusted to him by a sailor in a bar. The ends of life seem trivial, when you reach them - like the end of life itself. His end of life is bitter, though sometimes he remembers sweetness ... It's lived with the dissatisfied, the clueless, and the cheats ... and sadness prevails.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Mercenaries - four new tales by John FraserMercenaries: soldiers of fortune, conottieri, knight errants ... Soldiers have always been paid, somehow; a wage? ... or by their own practices of looting, enslavement, often taking it out on others for vengeance or pleasure, taking prisoners and ransoming - hostages. Yet people who soldier for the money are singled out, and looked down on ... and yet, however you do it, losing, whether done for money or the cause, is never pleasant. Being a prisoner, or dead, gives no material credit whether you are a courageous, altruistic type or needy and conscripted. Now, with people's wars, mass invasions and generalised hostilities - everyone is a soldier. At least, everybody suffers like a soldier, not all bear arms. Many are also mercenaries - have been, would like to be. They are like samurai, who cut the personal risk by doing deals with similars - momentarily, the enemy. Mercenaries concerns attempts by mercenaries to engage more mercenaries to carry out humanitarian work. Maybe it ought to work. It should be clean. What can be accomplished, tying political aims to cash? Suppose the aims are impeccable.... The short concluding pieces, Round Heaven, Square Earth, Hope and Stop, are illustrations of how political schemes might be achieved by force of will, without the cash. All our modern realities, and their dilemmas, are treated here.

The Beach consists of two new tales from John Fraser What is a human life worth? If you save someone's, what is it worth to you - and if you seek a reward, how do you get it, whatever it may be? Is that life, perhaps, the only valuable thing there is, that has value only to the person who wins twice - getting their life back, and not having to give a reward? The characters in The Beach seek answers to this question - what is a life? what worth does it have? - travelling through many remote places and civilisations. Memoirs, Memorials examines a devious spy - a spy on the secrets of life. If saving lives accumulates confusions, a heap of partial, disparate conclusions - what is a life of duplicity, fiddling, false witness and falsity in general, worth? It seems a fiction, in which someone writes all the parts and is the hero/heroine. Is it meaningless, to be condemned, or is it victimless, as victimless as ordinary, straightforward relationships and personalities - with their bad marriages, bad bargains failures, catching infections from partners who should know better?

Two new tales from John Fraser. The Test - life as a test - and The Scarf - what does casual sex imply?