Bøger af John Lane

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Sir Caspar Purdon Clarke, Kt John Lane J. Lane, 1905 Art; American; General; Art / American / General; Art / Design / Decorative

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The very Devil's in the moon for mischief: There's not a day, the longest, not the twenty-first of June, Sees half the mischief in a quiet way On which three single hours of moonlight smile." At my age, alas! one no longer gets into mischief, either by moonlight or at midsummer, and yet to-day all the tricksey spirits of the invisible world are supposed to be abroad-tangling the horses' manes, souring the milkmaid's cream, setting lovers by the ears. Some such frisky Puck stirs even peaceable middle-aged blood at this season to mild little secret sins, such as beginning a diary in which to set down one's private naughty views-the heresies one has grown too staid and cautious to give speech to any longer.

Kitwyk is a book in the English language by Mrs. John Lane.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

While scouting sites for geology field trips, poet and naturalist John Lane encountered deep gullies created between the Civil War and the 1930s contributed to by his mother's tenant farming family and their rural neighbors in Piedmont South Carolina. This brush with the poor farming practices of the past leads Lane into an exploration of his own family's complicated history and of the larger environmental forces that have shaped the region where he chooses to live. With his sister as guide, Lane descends into the gully of his own childhood to uncover memories of a loving but alcoholic mother and a suicidal father. Back and forth, the narrative progresses from depictions of the land--particularly the overgrown and neglected places that hold stories and mysteries of the region--to Lane's ever-deepening search.He wonders how he, a college professor and husband settled into middle-class life, has emerged from the chaos of his family's past. Along the way, we meet heroic Depression-era geologists, fascinating colleagues, and troubled ancestors. Lane's extraordinary ability to weave personal history together with explorations of the natural world will remind readers of the works of Loren Eiseley and Terry Tempest Williams.

"John Lane continues his exploration of the intersection of the human imagination with the world of other animals in a companion volume to COYOTE SETTLES THE SOUTH (2016) and NEIGHBORHOOD HAWKS (2019). Each of these fifteen pieces--some more formal essays, some journalism, and some stories of Lane's encounters with wild animals in wild places--explores the diversity and the mystery of what's often been called "the more than human world." In each piece there is always animal presence, sometimes central and sometimes peripheral. In one piece the Columbian mammoth comes back to trouble the contemporary political landscape of South Carolina. In another, he ponders the fate of a wing-shot goose finding a last refuge in the Lane family's tiny frog pond. In another, Lane ventures into an abandoned Zimbabwean gold mine alone to check on the status of a common genet, a shy carnivore"--

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Why do writers love dogs? Not always for the same reasons all the rest of us do. Dorothea Benton Frank's dog Henry teaches her about self-righteous indignation every time she leaves on a book tour. Ron Rash learns to appreciate his misanthropic mutt Pepper after he bites his daughter's suitor. For Tommy Hays the dog is something not even a psychic can separate from the family. For some writers, such as Mary Alice Monroe, a Bernese Mountain dog arrives via Swiss Air. For George Singleton, they just wander into his Pickens County yard.The connection between dogs and humans in the geographic region known as South Carolina goes back over 10,000 years. There's even a wild dog in the Lowcountry known as the Carolina Dog, whose ancestors may have accompanied the first Americans across the Bering ice bridge.In Literary Dogs & Their South Carolina Writers twenty-five of the Palmetto State's most beloved authors introduce you to their most memorable dogs. There is Padgett Powell's "Ode to Spode," Josephine Humphreys' paean to a poodle, and Roger Pinckney¿s Daufuskie Dog-ageddon. Meet Marshall Chapman's Impy, Mindy Friddle's Otto, Beth Webb Hart's Bo Peep, and more. From bird dogs to bad dogs, wild dogs to café dogs, get to know these canines and their literary companions.

The Life of Sir Thomas Bodley is an unchanged, high-quality reprint of the original edition of 1894.Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Jimmy Buffet has his "Coconut Telegraph," but he's got nothing on nature writer John Lane, who sends his musings into the world each week in a popular newspaper column named after the ubiquitous green vine that's swallowing the South. Lane is a champion of the underdog, and what he seeks to protect is the character and the beauty of the place he lives.Lane, a much published poet and essayist, is a soldier for sustainability and a warrior for wildness. Using both wit and wisdom he takes on the environmental issues of our times, often by simply taking us on a walk through the woods or a drive up the highway. Just when he seems to write best about animals in his South Carolina Upcountry backyard-deer, tree frogs, and, yes, coyotes-he captivates us with a river adventure. He writes with as much intensity about old maps or a favorite pickup truck as he does about the socio-political issues that concern him-land use, urban planning, and conservation.These four dozen short essays, published by Community Journals in upstate South Carolina, will make you look more closely at the world around you and also, Lane hopes, will make you look ahead: to take actions, large and small, to protect the place you live.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

Tells the story of John Lane's journey through the Southeast US, as he visits coyote territories: swamps, nature preserves, farm fields, suburbs, a tannery, and even city streets. On his travels he meets, interrogates, and observes those who interact with the animals - trappers, researchers, hunters, pet owners, and even a devoted coyote hugger.

Follows in the tradition of writings from Henry David Thoreau, Terry O'Connor and J.A. Baker, with John Lane using the red-shouldered hawks that live in his neighborhood to explore the concept of "commensalism", the idea that two species can live near each other without harming or benefitting the other.

John Lane settled down in Spartanburg. He built a sustainable home in the woods near Lawson's Fork Creek. After settling in, Lane pinpointed his location on a topographical map. Centering a saucer over his home, he traced a circle 1 mile in radius and set out to explore the area. This book chronicles his knowledge of that place.