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A New York Times bestseller One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power-and why we love them so much.Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech-the urgency with which we say "f&*k!" is instead related to the instinct that tells us to flee from danger.Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic. In a particularly coarse moment, when the public discourse is shaped in part by once-shocking words, nothing could be timelier.
The series builds an extensive collection of high quality descriptions of languages around the world. Each volume offers a comprehensive grammatical description of a single language together with fully analyzed sample texts and, if appropriate, a word list and other relevant information which is available on the language in question. There are no restrictions as to language family or area, and although special attention is paid to hitherto undescribed languages, new and valuable treatments of better known languages are also included. No theoretical model is imposed on the authors; the only criterion is a high standard of scientific quality. To discuss your book idea or submit a proposal, please contact Birgit Sievert.
In Spreading the Word, linguist John McWhorter proves that nonstandard dialects are not bastardizations of Standard English, but alternate variations upon the basic plan of English, of which the Standard is but one.
"An essay in origins ... as theoretical as Hawking and Gorst in trying to see into the deep past. McWhorter is a clear and witty writer."-- Harper'sIn the first book written for the layperson about the natural history of language, linguistic professor John McWhorter ranges across linguistic theory, geography, history, and pop culture to tell the fascinating story of how thousands of very different languages have evolved from a single, original source in a natural process similar to biological evolution.There are approximately six thousand languages on Earth today, each a descendant of the tongue first spoken by Homo sapiens some 150,000 years ago. While laying out how languages mix and mutate over time, linguistics professor John McWhorter reminds us of the variety within the species that speaks them, and argues that, contrary to popular perception, language is not immutable and hidebound, but a living, dynamic entity that adapts itself to an ever-changing human environment. Full of humor and imaginative insight, The Power of Babel draws its illustrative examples from languages around the world, including pidgins, Creoles, and nonstandard dialects.
Language is always changing, but the way English is spoken today rubs many of us the wrong way. Whether it's the use of literally to mean "figuratively," or the way young people use LOL or business jargon like What's the ask?-it often seems as if the language is deteriorating before our eyes.But the truth is different and a lot less scary. Drawing examples from everyday life and employing a generous helping of humor, John McWhorter shows that these shifts are common to all languages, and that we should embrace these changes, not condemn them.He opens our eyes to the surprising backstories to words and expressions we use every day. Did you know that silly once meant "blessed"? Or that ought was the original past tense of owe? Or that the suffix -ly in adverbs is actually a remnant of the word like?In Words on the Move, McWhorter encourages us to marvel at the dynamism and resilience of the English language, and his book offers a delightful journey where we see that words are ever on the move and our lives are all the richer for it.
Saramaccan has been central to various debates regarding the origin and nature of creole languages. Being the most removed of all English-based creoles from European language structure in terms of phonology, morphology and syntax, it has been seen as one of the most extreme instantiations of the creolization process. This is the first full-length description of Saramaccan. The grammar documents, in particular, a valence-sensitive system of indicating movement and direction via serial verb constructions, hitherto overlooked amidst the generalized phenomenon of serialization itself.
A survey of the quirks and quandaries of the English language, focusing on our strange and wonderful grammarWhy do we say I am reading a catalog instead of I read a catalog? Why do we say do at all? Is the way we speak a reflection of our cultural values? Delving into these provocative topics and more,Our Magnificent Bastard Languagedistills hundreds of years of fascinating lore into one lively history.Covering such turning points as the little-known Celtic and Welsh influences on English, the impact of the Viking raids and the Norman Conquest, and the Germanic invasions that started it all during the fifth century ad, John McWhorter narrates this colorful evolution with vigor. Drawing on revolutionary genetic and linguistic research as well as a cache of remarkable trivia about the origins of English words and syntax patterns,Our Magnificent Bastard Tongueultimately demonstrates the arbitrary, maddening nature of English and its ironic simplicity due to its role as a streamlined lingua franca during the early formation of Britain. This is the book that language aficionados worldwide have been waiting for (and no, its not a sin to end a sentence with a preposition).
"e;Superb."e; -Steven Pinker"e;An explanation, a defense, and, most heartening, a celebration. . . . McWhorter demonstrates the 'legitimacy' of Black English by uncovering its complexity and sophistication, as well as the still unfolding journey that has led to its creation. . . . [His] intelligent breeziness is the source of the book's considerable charm."e; -New Yorker"e;Talking Back, Talking Black is [McWhorter's] case for the acceptance of black English as a legitimate American dialect. . . . He ably and enthusiastically breaks down the mechanics."e; -New York Times Book ReviewLinguists have been studying Black English as a speech variety for years, arguing to the public that it is different from Standard English, not a degradation of it. Yet false assumptions and controversies still swirl around what it means to speak and sound "e;black."e; In his first book devoted solely to the form, structure, and development of Black English, John McWhorter clearly explains its fundamentals and rich history while carefully examining the cultural, educational, and political issues that have undermined recognition of this transformative, empowering dialect.Talking Back, Talking Black takes us on a fascinating tour of a nuanced and complex language that has moved beyond America's borders to become a dynamic force for today's youth culture around the world.John McWhorter teaches linguistics, Western civilization, music history, and American studies at Columbia University. A New York Times best-selling author and TED speaker, he is a columnist for CNN.com, a regular contributor to the Atlantic, a frequent guest on CNN and MSNBC, and the host of Slate's language podcast, Lexicon Valley. His books on language include The Power of Babel; Our Magnificent Bastard Tongue; Words on the Move; Talking Back, Talking Black; and The Creole Debate.
A barbed rebuttal to the conservative view that popular culture is destroying the English language.
Challenging an enduring paradigm among linguists, this text explores the origins of plantation creole. It proposes that the "limited access model" of creole genesis is seriously flawed.
Yet over the last forty years, the English-language has effectively gone into reverse - taking our lead from America and the legacy of the 1960s, our culture increasingly privileges the oral over the written, spurning the art of elaborated, 'written'-style language in favour of returning to the state of a spoken culture.
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