Bøger af John Riley

Who Will Save the Day? is the story of a boy who uses his superpowers to save the lovely princess from the mean bad guys. John Riley's cheerful and colorful imagination produced this fun story, but his rambunctious moves bring it to life! Every neighborhood needs a superhero like John to come and save the day!

Designed for children to locate words they don't know how to spell. Words are listed alphabetically with the correct spellings adjacent to the phonetic ones. This would be particularly useful in writing activities where the conscientious pupil is bound by his or her spelling ability. They often find many words difficult to locate in an ordinary dictionary if they don't know how to spell them. I offer phonetic alternatives such as: fawtaw, foatoa, fautau, fowtow, foto = photo. Based on a junior dictionary of 6000 header words, it is my intention that this book will help break down barriers to learning and turn poor spellers into more confident learners

Read one of these poems and you'll want to read the others. John Riley has created a severe compositional structure, producing 100 poems of 100 words each. This self-imposed restriction fires his spontaneity. A multitude of images, always deep, never just fanciful, spring from his surreal imagination. Nothing is ponderous, nothing forced. An ending often has the feeling of a beginning, a beginning is like an ending. As with Samuel Beckett, words and phrases and sentences are pools-and the complete 100 word poem is the largest pool, inviting us to jump, then swim or tread water, at our whim.John Marcus Powell, author of Black UncleA book of one hundred stones: some heavy, some light, some bigger than they seem, some formed by a river while giving the river its form, some leaving a deep impression, some found in the lowest of places, some unwieldy, some glistening, some crystalline though you can't see through them, some striking against each other to create light, some shaped by having once been broken. Some clonk you on the head and some you have been carrying around this whole time. This book also contains one hundred poems. What I wrote about the stones is true also of the poems.Walter Ancarrow, author of EtymologiesWhat is poetry anyway? Does anyone know? It won't be there, then you sense a stirring in the grass, and suddenly you're up to your neck in it, and before you can grasp it, it's gone. You are bereft. So you fill the emptiness with intense awareness of the world of things you are sure to lose. Riley's poems are founded on such loss. On the current of his sentences I move through inconclusive lives, charged, and instead of purposeful ideas find thought-magic, an open heart. Heavy and light, like water, his poems sing to the thing that never left.Cally Conan-Davis, Poet

Recently recognized by the Delaware Press Association as the best adult non-fiction book of 2019 in the memoir/autobiography category, this book by John Riley features a behind the scenes look at more than six decades of the people, places and events in and around the First State. Beginning with the post-World War II period where the country's possibilities seemed to know no bounds through to the crushing reality of assassinations, the draft and Vietnam, Riley provides a fascinating look back at the people and places of mid-century Wilmington. His riveting account of the draft and subsequent Army years will no doubt resurrect vivid memories for many from the Vietnam generation. Riley also shares his unique experience in Delaware politics, sports and corporate life, including inside stories involving governors, athletes, coaches, and the leaders of some of Delaware's most prominent companies. Notably, Riley provides a detailed eyewitness account of the unraveling of a ninety year old chemical company ravaged by bad business decisions and under assault by an infamous corporate raider.

Between 1929 and 1970, five years before his death, Dmitri Shostakovich wrote almost 40 film scores for most genres of Soviet films, from Stalinist cult epics to classical literary adaptations. His long and distinguished cinema career has hitherto been overlooked.

By the time of his death at the age of 41, Riley had achieved a poetry whose importance is not circumscribed by the concerns and trends of its day. His finest poems are an embodiment of integrity and vision: precise observation and wit co-exist with an extraordinary beauty of image and rhythm.