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A thorough, compelling, and often amusing account of how the Anglo-Catholic movement in the Victorian Church of England overcame vehement opposition to establish itself as a legitimate form of Anglicanism. From working class tenements to the pages of Punch to the very Houses of Parliament, the Anglo-Catholic movement provoked bitter debate and even violence throughout Victorian times. Rotten vegetables were thrown at priests as they spoke from their pulpits, and fistfights broke out among families over whether dear departed ones would be buried "High Church" or "Low Church." In this innovative critical study, John Shelton Reed provides the first comprehensive treatment of the rise, growth, and eventual consolidation of this controversial movement. Reed identifies Anglo-Catholicism as a countercultural movement, championing practices that were symbolic affronts to some of the central values of the dominant middle-class culture of its time. He identifies the rising clergy, the urban poor, women, and youth of both sexes (especially those put off by "muscular Christianity") as disproportionately attracted both to what the movement had to offer and to the shock value it gave to those whom they despised. Each of these component groups can be seen as culturally subordinate or in decline--threatened, oppressed, or at least bored by the Victorian values that the movement challenged--and thus ready to hear subversive messages. A distinguished sociologist, best known as a major interpreter of the American South, Reed here explores new ground with characteristic scholarly acumen, thorough and meticulous research, fresh perspective and insight, and a remarkably engaging literary style. He has uncovered and taken full advantage of a wealth of largely untapped archival material, from the library of Pusey House, Oxford, as well as the Bodleian Library and the British Library, and has fashioned this into a cogent analysis that will enhance understanding of the subject for both scholars and general readers. His conclusions will shed light on many aspects of Victorian studies and the related disciplines of history (social, cultural, political, intellectual, and ecclesiastical), literary studies, women's studies, and the study of social movements. All future work on Anglo-Catholicism and related subjects will be indebted to Reed's Glorious Battle. This book has been supported by a grant from the National Endowment for the Humanities
A note from the author: These are, quite literally, leftovers-things I couldn't use in previous collections, but hate to throw out. It follows close on the heels of one that was marketed as a collection of "essays, op-eds, speeches, statistical reports, elegies, panegyrics, feuilletons, rants, and more"-pieces so motley, I confessed in the preface, that they had only two things in common: they were all about the South and they were all written by me. This book is like that, except the pieces in it aren't all about the South.
John Shelton Reed's Barbecue celebrates a southern culinary tradition forged in coals and smoke. Since colonial times southerners have held barbecues to mark homecomings, reunions, and political campaigns; today barbecue signifies celebration as much as ever. In a lively and amusing style, Reed traces the history of southern barbecue from its roots in the sixteenth-century Caribbean, showing how this technique of cooking meat established itself in the coastal South and spread inland from there. He discusses how choices of meat, sauce, and cooking methods came to vary from one place to another, reflecting local environments, farming practices, and history.Reed hopes to preserve the South's barbecue traditions by providing the home cook with fifty-one recipes for many classic varieties of barbecue and for the side dishes, breads, and desserts that usually go with it. Featured meats range from Pan-Southern Pork Shoulder to Barbecued Chicken Two Ways to West Texas Beef Ribs, while rubs and sauces include Memphis Pork Rub, Piedmont Dip, and Lone Star Sauce and Mop. Cornbread, hushpuppies, and slaw are featured side dishes, and Dori's Peach Cobbler and Pig-Pickin' Cake provide a sweet finish. This book will put southerners in touch with their heritage and let those who aren't southerners pretend that they are.
If you think that nowadays the South is pretty much just a hot Midwest, meet John Shelton Reed: "Americans need to be reminded that there are good-sized regional differences in this country. So I'm volunteering to help with this reminding." Readers on both sides of the Late Unpleasantness will savor this witty and sometimes outrageous collection of essays presenting one Sutherner's viewpoint about what makes the South the South. (Reed on creeping homogenization, for example: "Atlanta represents what a quarter of a million Confederate soldiers died to prevent." Or on Southern manners: "A joke going around here asks why Southern women don't like group sex. Give up? Too many thank-you notes.")
With characteristic tongue-in-cheek wit, Reed tackles the questions, Just what is ?the South? today? Where is it? Why are Southerners so devoted to it? Instructional maps include ?Where Kudzu Grows? and ?States Mentioned in Country Music Lyrics.?
John Shelton Reed is one of today's most knowledgeable authors on the subject of barbecue. In this collection Reed compiles reviews, essays, magazine articles, op-eds, and book extracts from his many-year obsession with the history and culture of barbecue.
Too often depicted as a region with a single, dominant history and a static culture, the American South actually comprises a wide range of unique places and cultures, each with its own history and identity. This book offers a medley of writings that examine how ideas of the South, and what it means to be southern, have changed over time.
In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents and colourful street life. A young William Faulkner resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed brings to life the people and places of New Orleans in the Jazz Age.
In the informal, engaging essays brought together in One South, John Shelton Reed focuses on the South's strong regional identity and on the persistence, well into the last decades if the twentieth century, of Southern cultural distinctiveness.
For over three decades John Shelton Reed has been "minding" the South
Creating a sort of periodic table of the southern populace, Southern Folk, Plain and Fancy catalogs and describes the several social types--gentleman and lady, 'lord of the lash' and cunning belle, fun-loving 'good old boy, ' depraved redneck, and other figures--that have animated the region since antebellum times.
North Carolina is home to the longest continuous barbecue tradition on the North American mainland. Holy Smoke is a passionate exploration of the lore, recipes, traditions, and people who have helped shape North Carolina's signature slowfood dish. A new preface by the authors examines the latest news, good and bad, from the world of Tar Heel barbecue.
An account of how the Anglo-Catholic movement in the Victorian Church of England overcame vehement opposition to establish itself as a legitimate form of Anglicanism. It should be useful to students and scholars of history, social and religious movements and Victorian literature.
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