Bøger af Johnny Miles

Inner peace is possible when we surrender to who and what we truly are.After being arrested for protesting at a rally, activist and political science professor, Michael Cooke, meets police officer Beauregard Isiah Guilford. Beauregard is a walking wet dream-the type of man that makes Michael swoon. All it takes is a single look, a touch, a kiss, and Michael is a quivering, cowering mess.There's only one problem. The butch, gruff and muscular Alpha top's ability to showcase Michael's submissiveness fills him with shame. Unable to accept his role in the bedroom, no matter how fulfilling it might be, Michael breaks up with Beauregard, only to learn that he can run, but he can't hide from his own truth... no matter where he is, or how far he runs, Michael isn't complete unless he's with the one man who unleashed his inner whore.The two men cannot seem to stay away from each other. Michael must learn, and accept, when it comes to sex, being a sub is nothing to be ashamed of-or risk losing Beau forever. Just when it seems all may be lost, an unexpected visit from Santa-yes, the real Santa-helps them realize magic can be had, but only if they believe.

Spring is coming, and under the melting frost, desire stirs...Jackson Frost is youthful and charming, even if he can come off as a bit cold at times. Griffin Kloss is a gruff, 30-year-old failed businessman in need of nurture as he licks his wounds. When the two meet, it's love at first sight. And there's something about Jackson that's magical.And mysterious.Jackson has secrets, and with the spring thaw coming, it's harder for him to keep them from his lover. As Griffin deals with an ailing mother and a life that seems to slip away, he longs to hold onto Jackson, even if it means denying the worst of his fears.Some things are not meant to last, but Griffin is determined to find the one exception, even if he must learn to believe in a new kind of magic.The magic of the heart...

Someone is kidnapping Magicals. Kris Kringle and his soulmate, Bucket the Elf, are determined to find out why. Only then can they spend the rest of their lives together. But first they must find a suitable candidate to take over the mantle of Santa Claus. They find Griffin Kloss in the backwoods of North Carolina and realize they must get to him quickly. Someone else is after Griffin and it's not his former boyfriend, Jackson Frost. Whomever is after Griffin doesn't want him for his good looks.Putting themselves at risk, Kris and Bucket, together with Griffin, Old Man Winter, and members of The Wild Hunt, travel to the Ninth Realm, in search of answers. There, in a dark and dismal place, they discover that Krampus, an ancient evil once thought dead, is still alive and at large. Now, they must join forces to battle demons and the menace that threatens not just their happy-ever-after, but the very existence of Earth Realm.Publisher's Note: This book contains a scene of sexual violence.

Visit the Website Showcasing Johnny Miles Collage Work: www.milesdynasty.com Purchase the Print Book and Receive the Ebook See Photo of Johnny Miles and Tio MacDonald Twenty-seven years after the murder of Nancy Willem, the State of California has not put Johnny Miles to death. For the majority of the past twenty-seven years, Johnny Miles has lived in a one-person cell on San Quentin's death row, among hundreds of others convicted of first-degree murder. Johnny Miles has had to find a measure of acceptance to continue living on death row. He has not chosen suicide or to use hard drugs. Neither has he been a victim of a fatal attack by other inmates. Johnny Miles has chosen to live while under the sentence of death. Johnny Miles is the primary author of the book: THE JOHNNY D. MILES LEARNING CURVE: An Introduction to (Death Row Inmate) Johnny D. Miles' Collage Art, Poetry & Mind.The Learning Curve is fine art in that patient informed perception is required for a fuller imbuing of Johnny Mile's artistic intent and subterranean self-expression. The Learning Curve is meant for the learned: a person that can separate flair from meaning; a person able to perceive thematic repetition and aberration; more or less an investigative and curious art enthusiast and/or enjoyer of abstract poetry.Johnny Mile's collaging and poetry exist within the solitary confinement of his own sense of rhyme and rhythm, concept, tone, and intrigue. His work is a soliloquy in the effort to find meaning and transmit meaning. All reading of his work should occur with the background knowledge of his minimal formal education for Johnny dropped out of school in the 10th grade.The word psychopath denoted is clinical while in general parlance communicates pure evil. The word "psychopathy" connotes less negativity to the labeled while still bordering on insult. Basketball great Michael Jordan has been called psychopathic as has the sitting American President, Donald Trump. British psychologist Kevin Dutton in his so-called, "Great British Psychopath Survey" found many eminently valued professions, such as clergy, filled in great proportions by psychopaths. Due to my own lack of credentials and my genuine relationship with Johnny Miles I cannot label him. However, Johnny Mile's art and poetic expressions are a step toward Johnny Miles exposing himself to the world as he is.Johnny Mile's collage art is the diamond produced through nearly twenty-seven years of impaction by a solitary cell on death row, his own thoughts, and perceptions of self, and his character and propensities. Death row shaped Johnny Miles into a collage artist. Inspiration struck his person in the form of an adolescent's after-school letter to a death row inmate; he tried collaging and it worked for him. Since that day in 2003, Johnny Miles has been dedicated to the art form. Search for the My Crime Series on Amazon and Audible, biographies written by inmates on inmates. The My Crime series "candidly communicates the upbringing, life experience, character, and motivations of the incarcerated." Such communication is to grant the broader public an understanding of the men and women in California prisons (www.crimebios.com)

Always spoken for, never speaking. Always the object of discourse, never the subject. Constant focus upon Israel in the biblical texts by the interpretative tradition in the modern context has resulted, whether consciously or not, in the eclipse of voices of Israel's Palestinian neighbors. Interpretations reinforce the liminality of ethnic groups like the Edomites, Moabites, Ammonites, and Samaritans effected initially through re-presentation. Stereotyping becomes an ethno-typing strategy that establishes the presumed superiority of 'Israel', the identity construction of the 'others' as anything but superior, and the placement of each group stereotyped on the 'border'.A postcolonial perspective, however, reveals that the focus of the commentary tradition extends liminality beyond the temporal. This study brings to speech the constructed voices of marginalized ethnic groups by juxtaposing those of fifth-century Yehud with those of nineteenth-century America placed there by stereotypic re-presentations. The examination of these re-presentations, though they intend to establish separation through an identity of difference, reveal instead a reflection of the identity of 'self' within 'other' despite efforts by an ethnic group identifying itself as 'Israel'.

This study focuses on a reading of Proverbs 1-9 as satire via semiotics, which empowers a heightened, poetic sensitivity to multivalent textual signs. These include allusion to two points of critique against Solomon: (1) his political policy of socio-economic injustice and (2) his numerous sexual (in)discretions.