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Nigel Hall: Sculpture & Drawings is an ambitious monograph which looks at his work in relation to sculptural developments in Britain, Europe and North America. It presents the two main strands of Hall's practice - sculpture and drawing - as distinct but also interrelated. Line and space are central to Hall's work, with the artist creating highly refined two- and three-dimensional works that deploy a range of geometrical forms. The works he makes are always meticulous and measured, whilst offering intuitive visual conundrums that encourage looking and thinking. Unpicking the complexities of Hall's work and its display both indoors and outdoors, Wood provides the definitive narrative of one of Britain's most accomplished sculptors working today.
Exploring Emily Young's carved works from the 1980s to the present, Jon Wood's thoughtful survey places her sculpture within its resonant contexts, both art historical and more broadly cultural. In doing so, it draws attention to the richness of her sculptural imagination and the issues that charge it, from ecology and environmentalism to poetry and philosophy. The inclusion of Young's early paintings also draws out her long-standing preoccupation with narrative. Probing the relationship between the artist's sculpture and the material life of things, Young's original way of thinking, seeing and feeling is skilfully presented, so enriching our understanding of this important contemporary figure.
Book looks closely at Sandles paintings and drawings on paper across his whole career
Celebrating the dynamic Constructivist art made and exhibited in Britain over a seventy-year period, this book brings together constructed reliefs and sculpture, kinetic and participatory art, painting and printmaking.
Interrogates the forces of opposition and reaction that drove the creation of much British postwar sculpture from the 1960s onwards, through the work of six sculptors, including Anthony Caro, Rachel Whiteread and Alison Wilding.
This publication will underline the importance of Bryan Kneale in the development of 20th Century British sculpture and painting.
Neil Gall: The Studio are a distinct body of collages made from the covers of The Studio, the influential art magazine published in London from 1893 until 1964.
"Published on the occasion of the exhibition."-Page facing title page.
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