Bøger af Jonah Raskin

ROCK 'N' ROLL BROKE INTO MY LIFE when a teenage girl older than I blasted Bo Diddley on her record player. She was a dishwasher with curly hair. I heard the music come out of her bedroom window and could not get it out of my head. Later, at school at lunch hour in the gym when guys danced with girls, I heard Carl Perkins and I haven't been the same person since. I had grown up on folk music and on rhythm and blues-I played Leadbelly records everyday for a year-and rock 'n' roll sounded in my ears as though it had come out of black bars, the black ghetto, and the juke joints of the South. Soon after the British Invasion of the 1960s, when rock 'n' roll bands such as the Beatles and the Stones, came to the States, I went to England and lived with an American who played the guitar and sang the blues in British pubs. When I came back home and started teaching literature, I attended rock concerts on campus with tens of thousands of students and heard The Beach Boys, the Jefferson Airplane, and other bands. Mostly, I listened to rock 'n' roll with others, rarely by myself, and often in the company of women, many of whom show up in these poems and to whom I mean to remember and to pay homage. Moreover, I wrote these poems explicitly for the purpose of performing them in public and so I have paid particular attention to the sounds of the words on the page. Hopefully you'll hear music in the background even when you read this work quietly at home. About thirty women show up in Rock 'n' Roll Women plus one man. I didn't want to leave men out completely; some might say that the one man I have included isn't a very good example of American manhood. To that I would say, I am not trying to provide good examples of anything. Rather, I aim to capture a specific person, place, and time from the 1950s to the present day when I'm still likely to listen to rock 'n' roll on CD or on radio stations such as KWMR that broadcasts from Point Reyes Station in Marin and that must know that I'm listening and that there are others out here beside me who want to hear rock 'n' roll, too.

Thirty-six new poems by the writer and critic Jonah Raskin. Pre-poem Poem: You call yourself a poet, write poems and perform them in public, but now you don't want to write poems with thefirst person pronoun "I," which hasturned into a straightjacket, even as the earth has turned into an oven, and so you now write parataxis poems to cool down, break the ties that bind you and seek roses everywhere.

The murder of a young beautitul woamn jolts California's bucolic wine and weed country and sets off the the detective Tioga Vignetta on a trial of bllod and money. Along the way she encounters criminals, cops, emigrants, femme fatales, fall guys, and wheeler-dealers.

ABOUT THE BOOKShortly before he published Walden; or Life in the Woods, Henry David Thoreau called "The library a wilderness of books." He also noted that while Americans were "clearing the forest in our westward progress, we are accumulating a forest of books in our rear, as wild and unexplored as any of nature''s primitive wildernesses." In A Terrible Beauty: The Wilderness of American Literature, Jonah Raskin takes a long close look at the forest of books that poets, novelists and essayists mapped and explored before and after Thoreau. The first work of cultural criticism to look back at writing in the United States from the perspective of the contemporary environmental crisis, Raskin offers insights for students, teachers and lovers of literature as well as for backpackers and hikers who have trekked across untrammeled forests, deserts and mountains. ABOUT THE AUTHORJonah Raskin has taught American literature at Sonoma State University, the State University of New York at Stony Brook and as a Fulbright professor at the University of Antwerp and the University of Ghent in Belgium. The author of fifteen books, he earned his B.A. at Columbia College in New York, his M.A. at Columbia University and his Ph.D. at the University of Manchester, Manchester, England. He lives in northern California and has written for The San Francisco Chronicle, The L.A. Times, The Nation, The Redwood Coast Review and Catamaran.

"e;Sooner or later, nearly everyone who cares about wine and food comes to Sonoma"e;-so begins this lively excursion to a spectacular region that has become known internationally as a locavore's paradise. Part memoir, part vivid reportage, Field Days chronicles the renaissance in farming organically and eating locally that is unfolding in Northern California. Jonah Raskin tells of the year he spent on Oak Hill Farm-working the fields, selling produce at farmers' markets, and following it to restaurants. He also goes behind the scenes at Whole Foods. In this luminous account of his experiences, Raskin introduces a dynamic cast of characters-farmers, chefs, winemakers, farm workers, and environmentalists. They include such luminaries as Warren Weber at Star Route Farm, the oldest certified organic farm in Marin County; Bob Cannard, who has supplied Chez Panisse with vegetables for decades; Sharon Grossi, the owner of the largest organic farm in Sonoma; and Craig Stoll, the founder and executive chef at Delfina in San Francisco. Raskin also offers portraits of renowned historical figures, including Luther Burbank, Jack London, and M.F.K. Fisher. Field Days is a heartfelt celebration of the farm-to-table movement and its cultural reverberations.

As cultural revolutionary, media celebrity, Yippie, lost soul, and tragic suicide, Abbie Hoffman embodied the contradictions of his era. This title draws on the author's own relationship with Hoffman; many interviews with friends, family members, and former comrades; and, scrutiny of FBI files, court records, and public documents.

Written as a cultural weapon and a call to arms, Howl touched a raw nerve in Cold War America and has been controversial from the day it was first read aloud nearly fifty years ago. This first full critical and historical study of Howl brilliantly elucidates the nexus of politics and literature in which it was written and gives striking new portraits of Allen Ginsberg, Jack Kerouac, and William Burroughs. Drawing from newly released psychiatric reports on Ginsberg, from interviews with his psychiatrist, Dr. Philip Hicks, and from the poet's journals, American Scream shows how Howl brought Ginsberg and the world out of the closet of a repressive society. It also gives the first full accounting of the literary figures-Eliot, Rimbaud, and Whitman-who influenced Howl, definitively placing it in the tradition of twentieth-century American poetry for the first time. As he follows the genesis and the evolution of Howl, Jonah Raskin constructs a vivid picture of a poet and an era. He illuminates the development of Beat poetry in New York and San Francisco in the 1950s--focusing on historic occasions such as the first reading of Howl at Six Gallery in San Francisco in 1955 and the obscenity trial over the poem's publication. He looks closely at Ginsberg's life, including his relationships with his parents, friends, and mentors, while he was writing the poem and uses this material to illuminate the themes of madness, nakedness, and secrecy that pervade Howl.A captivating look at the cultural climate of the Cold War and at a great American poet, American Scream finally tells the full story of Howl-a rousing manifesto for a generation and a classic of twentieth-century literature.